Afro (genre)
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ToursExplore Lably’s 3D toursAfros are sung in a creolized form of Spanish, often similar to bozal. In the 1940s and 1950s, the genre reached its peak of popularity often mixing with son cubano giving rise to the hybrid style known as afro-son (or son-afro). Compositions not based on the son structure were often labelled as canción afro (afro-song) or canción de cuna afro (afro-lullaby); the latter became a popular form, especially due to the popularity of Ernesto Grenet's "Drume negrita". Among the most notable singers of afro were Rita Montaner, Bola de Nieve, Desi Arnaz and Merceditas Valdés.
Influence
According to George Torres, "the infectious rhythm of the Afro was used by American artists" such as Duke Ellington and Chuck Berry (in his song "Havana Moon"). According to Ned Sublette, the genre was particularly innovative, asserting that "Babalú" was a forerunner of the kind of record Elvis Presley would make fifteen years later".
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Notable examples
The following afro compositions are often cited as the most representative of the genre.
- "Babalú" (Margarita Lecuona)
- "Tabú" (Margarita Lecuona)
- "Bruca maniguá" (Arsenio Rodríguez)
- "Drume negrita" (Ernesto Grenet)
- "Drumi mobila" (Bola de Nieve)
- "Ogguere" (Gilberto Valdés)
- "Lacho" (Facundo Rivero)
- "La culebra" (Obdulio Morales)
- "Mata siguaraya" (Tío Tom)
- "Rinkinkalla" (Juan Bruno Tarraza)

