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Born in Pingtung County and raised in Hualien City, Taiwan, Lee graduated from what is now the National Taiwan University of Arts in 1975. After moving to the United States in 1979, he attended the University of Illinois Urbana-Champaign and New York University. He gained fame in Taiwan for the Father Knows Best trilogy—Pushing Hands (1991), The Wedding Banquet (1993), and Eat Drink Man Woman (1994)—which explore the relationships and conflicts between tradition, modernity, Eastern and Western.

Lee's breakthrough in Hollywood came with Sense and Sensibility (1995), which was his first English-language film. He gained further acclaim for The Ice Storm (1997), Crouching Tiger, Hidden Dragon (2000), Lust, Caution (2007), Brokeback Mountain (2005), and Life of Pi (2012). Other notable films include Hulk (2003), Billy Lynn's Long Halftime Walk (2016), and Gemini Man (2019).

Early life and education

Lee was born on October 23, 1954, to a waishengren family in a military dependents' village of the Republic of China Armed Forces, located in Chaochou, Pingtung, a southern agricultural county in Taiwan. Both of Lee's parents moved following the end of the Chinese Civil War in 1949 from De'an, Jiangxi, to Taiwan. He grew up in a household that put a heavy emphasis on education. In 1956, when Lee was 2 years old, his family moved to Hualien because his father took a position as the Principal of Taiwan Provincial Hualien Normal School (TPHNS). Lee attended two elementary schools in Hualien: Mingli Elementary School and Affiliated Primary School of Taiwan Provincial Hualien Normal School (now National Dong Hwa University Experimental Primary School). Lee has mentioned that the eight years he lived in Hualien were the happiest time of his life before he went north to study at National Arts School.

Lee studied in the Provincial Tainan First Senior High School (now National Tainan First Senior High School) where his father was the principal. He was expected to pass the annual Joint College/University Entrance Examination, the only route to a university education in Republic of China. But after failing the exam twice, to the disappointment of his father, he entered a three-year college, the National Arts School (now reorganized and expanded as National Taiwan University of Arts), and graduated in 1975. His father had wanted him to become a professor, but he had become interested in drama and the arts in college. This early frustration set his career on the path of performance art. Seeing Ingmar Bergman's film The Virgin Spring (1960) was a formative experience for him.

After finishing his mandatory military service in the Republic of China Navy (ROCN), Lee went to the US in 1979 to study at the University of Illinois at Urbana–Champaign, where he graduated with his Bachelor of Fine Arts in theater in 1980. Originally, Lee was interested in acting, but his challenges with speaking English made it difficult, and he quickly turned to directing. At UIUC, Lee met his future wife, Jane Lin (Chinese: 林惠嘉; pinyin: Lín Huìjiā), also a student from Taiwan, who was pursuing her PhD degree. Thereupon, he enrolled at the Tisch School of the Arts of New York University, where he received his M.F.A. in film production. He was a classmate of Spike Lee and worked on the crew of his thesis film, Joe's Bed-Stuy Barbershop: We Cut Heads.

During graduate school, Lee finished a 16mm short film, Shades of the Lake (1982), which won the Best Drama Award in Short Film in Taiwan. His own thesis work, a 43-minute drama, Fine Line (1984), won NYU's Wasserman Award for Outstanding Direction and was also chosen for broadcast by the Public Broadcasting Service.

Life after graduation

After graduating from NYU in 1985, Lee struggled to find work despite interest from the William Morris Agency, spending several years unemployed while continuing to write screenplays with his wife's support.

In 1990, Lee submitted two screenplays, Pushing Hands and The Wedding Banquet, to a competition sponsored by Government Information Office of R.O.C., and they came in first and second, respectively. The winning screenplays brought Lee to the attention of Hsu Li-kong (Chinese: 徐立功; pinyin: Xú Lìgōng), a recently promoted senior manager in a major studio who had a strong interest in Lee's unique style and freshness. Hsu, a first-time producer, invited Lee to direct Pushing Hands, a full-length feature that debuted in 1991.

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