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Anhelli

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Through Paris

History

The poem was written in the spring of 1837 in an Armenian monastery known as Betcheszban (Resting Place of the Dead) in Ghazir, a town in the mountains of Lebanon. Słowacki wrote that he created the poem "full of those feelings and thoughts, which were freshly inspired in me by the Holy Land and a night spent by the tomb of Jesus". The poem was edited in Florence and published in Paris in 1838 in the Polish Library and Printing Press located at Marais Saint-Germain No 17. The print on the 108 pages of the poem was produced by Bourgogne et Martinet printing house. Słowacki dedicated his work to Stefan Hołyński.

The poem conveys a pessimistic vision of the future of Polish emigration and the fight for the country's independence. It directly alludes to Adam Mickiewicz's Books of the Polish Nation and Polish Pilgrimage by employing stylized biblical prose. It portrays antagonized Polish exiles who are destined for destruction in the realities of Siberia, a place strongly associated with the martyrology of the Polish nation. It sends a messianistic message and poses the question whether the whole nation can ever be saved by an individual or an entire generation of emigrants.

Anhelli served as inspiration for the symphonic poem of the same name by Ludomir Różycki composed in 1909. The poem is also the basis of Anhelli. The Calling, the last part of a theatrical triptych Gospels of Childhood produced by Wrocław-based ZAR Theatre.

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