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Aṣẹ

Yoruba religious concept

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  • 5 chapters

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Through Natural environment, Nature and Ancestor

In addition to its sacred characteristics, àṣẹ also has important social ramifications, reflected in its translation as "power, authority, command." A person who, through training, experience, and initiation, learns how to use the essential life force of things to willfully effect change is called an aláàṣẹ.

Rituals to invoke divine forces reflect this same concern for the autonomous ase of particular entities. The recognition of the uniqueness and autonomy of the ase of persons and gods is what structures society and its relationship with the other-world.

Àṣẹ and Yoruba art

The concept of ashe influences how many of the Yoruba arts are composed. In the visual arts, a design may be segmented or seriate - a "discontinuous aggregate in which the units of the whole are discrete and share equal value with the other units." Such elements can be seen in Ifá trays, Iroke, and bowls, veranda posts, carved doors, and ancestral masks.

Regarding composition in Yoruba art as a reflection of the concept of àṣẹ , Drewal writes:

Units often have no prescribed order and are interchangeable. Attention to the discrete units of the whole produces a form which is multifocal, with shifts in perspective and proportion... Such compositions (whether representational or not) mirror a world order of structurally different yet autonomous elements. It is a formal means of organizing diverse powers, not only to acknowledge their autonomy but, more importantly, to evoke, invoke, and activate diverse forces, to marshal and bring them in to the phenomenal world. The significance of segmented composition in Yorùbá art can be appreciated if one understands that art and ritual are integral to each other.

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