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Cartogram

Map distorting size to show another value

  • 12 min read
  • 6 chapters

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Cartograms leverage the fact that size is the most intuitive visual variable for representing a total amount. In this, it is a strategy that is similar to proportional symbol maps, which scale point features, and many flow maps, which scale the weight of linear features. However, these two techniques only scale the map symbol, not space itself; a map that stretches the length of linear features is considered a linear cartogram (although additional flow map techniques may be added). Once constructed, cartograms are often used as a base for other thematic mapping techniques to visualize additional variables, such as choropleth mapping.

History

The cartogram was developed later than other types of thematic maps, but followed the same tradition of innovation in France. The earliest known cartogram was published in 1876 by French statistician and geographer Pierre Émile Levasseur, who created a series of maps that represented the countries of Europe as squares, sized according to a variable and arranged in their general geographical position (with separate maps scaled by area, population, religious adherents, and national budget). Later reviewers have called his figures a statistical diagram rather than a map, but Levasseur referred to it as a carte figurative, the common term then in use for any thematic map. He produced them as teaching aids, immediately recognizing the intuitive power of size as a visual variable: "It is impossible that the child is not struck by the importance of the trade of Western Europe in relation to that of Eastern Europe, that he does not notice how much England, which has a small territory but outweighs other nations by its wealth and especially by its navy, how much on the contrary Russia which, by its area and its population occupies the first rank, is still left behind by other nations in the commerce and navigation."

Levasseur's technique does not appear to have been adopted by others, and relatively few similar maps appear for many years. The next notable development was a pair of maps by Hermann Haack and Hugo Weichel of the 1898 election results for the German Reichstag in preparation for the 1903 election, the earliest known contiguous cartogram. Both maps showed a similar outline of the German Empire, with one subdivided into constituencies to scale, and the other distorting the constituencies by area. The subsequent expansion of densely populated areas around Berlin, Hamburg, and Saxony was intended to visualize the controversial tendency of the mainly urban Social Democrats to win the popular vote, while the mainly rural Zentrum won more seats (thus presaging the modern popularity of cartograms for showing the same tendencies in recent elections in the United States).

The continuous cartogram emerged soon after in the United States, where a variety appeared in the popular media after 1911. Most were rather crudely drawn compared to Haack and Weichel, with the exception of the "rectangular statistical cartograms" by the American master cartographer Erwin Raisz, who claimed to have invented the technique.

When Haack and Weichel referred to their map as a kartogramm, this term was commonly being used to refer to all thematic maps, especially in Europe. It was not until Raisz and other academic cartographers stated their preference for a restricted use of the term in their textbooks (Raisz initially espousing value-area cartogram) that the current meaning was gradually adopted.

The primary challenge of cartograms has always been the drafting of the distorted shapes, making them a prime target for computer automation. Waldo R. Tobler developed one of the first algorithms in 1963, based on a strategy of warping space itself rather than the distinct districts. Since then, a wide variety of algorithms have been developed (see below), although it is still common to craft cartograms manually.

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