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Censorship in Russia

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Through Civil society, Russia and Mass media

Russian Federation legislation on the mass media defines censorship as a "requirement, vis-à-vis media editors, officials, state bodies, organizations, institutions or public associations, to coordinate, prior to their distribution, the messages and documents to be broadcast as well as the obligation to prohibit, where appropriate, their broadcast in whole or in part".

The constitution of the Russian Federation prohibits censorship in paragraph 5 of Article 29. However, there are in fact many cases of censorship of works and limitation of the freedom to disseminate information from the public authorities, public organizations, and groups of citizens who feel offended and organize their self-defense. There are also two cases of censorship by local authorities—in 2006 and 2012—which have been recognized by Russian courts as such.

General problems of censorship in Russia

Subject matter and agenda

In March 2008, Vladimir Vladimirovich Pozner, a journalist with the Russian state television channel Perviy Kanal, speaking at a meeting of the Russian Citizens' Federation on the issues of morals and ethics on national television, said that there is no freedom of expression in Russia. In 2011, Pozner acknowledged that there was a stop-list on Russian television, that is to say a list of names of people who should not be invited to television. Thus, since 2010, access to federal television has been made inaccessible to Boris Nemtsov, Garry Kasparov, Mikhail Kasyanov, Edward Limonov, Alexey Navalny. According to journalist and politician Alexander Nevzorov, 2014 was the year in which censorship reached its highest level during the post-Soviet period. "It's magical, violent, insane and stupid in the highest degree.". Sarkis Dabrinian agrees with him as a defender of human rights: "Censorship is back in the country" (June 2014). In June 2015, Izvestia publishes an article of the Minister of Culture, Vladimir Medinsky, entitled "Who does not feed his culture, will go to feed the foreign army ". At the head of the article, the Minister of Culture declares that the state must not only subsidize culture, but also follow the content created through these subsidies, and systematically encourage only projects that reflect the values of the conservative majority of the world population. Medinski emphasizes the negative effect in Russia of political censorship and considers that the role of the bureaucracy is to guarantee the financial, administrative and legal viability of the rules according to which the state does not limit the artist in his creation, but controls if its production is not offensive to citizens. As an instructive example, the minister cited the dismissal of the director of the Novosibirsk Opera and Ballet Theater Boris Mesdritch, after the scandal of Timofei Kuliabin's staging of Richard Wagner's opera Tannhäuser (opera).

Russia has put in place a special procedure for productions and productions that are inscribed or withdrawn from the state budget accounts, and the fact is also that the State orders works on theme, says Dmitry Peskov, spokesman for the President of Russia. Reacting to these ministerial directives, director Andrei Zvyagintsev said in October 2016 that: "Orderly officials castrate artistic creation". The laureate of the Venice Film Festival and the Cannes Film Festival call Peskov's principles of public art market rules, which means that officials spend state money on films and performances in the interests of the public. of the state itself. With this conception, Dmitry Peskov forgets it is not their money available to its officials, but taxpayers' money. They decided once and for all that they knew better what people need than these people themselves and pay miserable productions with taxpayers' money. Armen Djigarkhanian calls censorship, the financial dependence of Russian theater that significantly influences the repertoire.

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