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Christopher and His Kind

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Through Weimar Republic

Background

Isherwood decided late in his life that he had a moral obligation to renounce the self-censorship that marked his early novels, specifically the excision of any hint of his homosexuality. Accordingly, in Christopher and His Kind, he recounts his experiences as a young gay expatriate enticed by the liberated atmosphere of Weimar Berlin into a quest for sexual and intellectual emancipation.

To earn a living Christopher offers English lessons. One of his students is Wilfrid Landauer (loosely based on the businessman and philanthropist Wilfrid Israel), the wealthy Jewish owner of a department store. He entreats Christopher to take a political stand against Nazism but Christopher, as an artist, initially demurs. Herr Landauer's home is ransacked by the Nazis and they lead a boycott against his and other Jewish-owned businesses. As portrayed in the 2011 film adaptation, Christopher last sees Wilfrid when their eyes sorrowfully meet over a bonfire of books the Nazis are burning.

Isherwood posits that his homosexuality, far from a marginal private shame to be suppressed, was a central element in his human and creative development, an identity he cherished and shared with many others ("my tribe", "my kind") with whom he felt a special kinship. This candid autobiography was, in Isherwood's view, the way to discharge the obligation he felt due to "his kind", and thus make his own contribution to the cause of gay liberation.

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