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Countershading

Camouflage to counteract self-shading

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Through Bird, Fish and Insect

When light falls from above on a uniformly coloured three-dimensional object such as a sphere, it makes the upper side appear lighter and the underside darker, grading from one to the other. This pattern of light and shade makes the object appear solid, and therefore easier to detect. The classical form of countershading, discovered in 1909 by the artist Abbott Handerson Thayer, works by counterbalancing the effects of self-shadowing, again typically with grading from dark to light. In theory this could be useful for military camouflage, but in practice it has rarely been applied, despite the best efforts of Thayer and, later, in the Second World War, of the zoologist Hugh Cott.

The precise function of various patterns of animal coloration that have been called countershading has been debated by zoologists such as Hannah Rowland (2009), with the suggestion that there may be multiple functions including flattening and background matching when viewed from the side; background matching when viewed from above or below, implying separate colour schemes for the top and bottom surfaces; outline obliteration from above; and a variety of other largely untested non-camouflage theories. A related mechanism, counter-illumination, adds the creation of light by bioluminescence or lamps to match the actual brightness of a background. Counter-illumination camouflage is common in marine organisms such as squid. It has been studied up to the prototype stage for military use in ships and aircraft, but it too has rarely or never been used in warfare.

The reverse of countershading, with the belly pigmented darker than the back, enhances contrast and so makes animals more conspicuous. It is found in animals that can defend themselves, such as skunks. The pattern is used both in startle or deimatic displays and as a signal to warn off experienced predators. However, animals that habitually live upside-down but lack strong defences, such as the Nile catfish and the Luna moth caterpillar, have upside-down countershading for camouflage.

Early research

The English zoologist Edward Bagnall Poulton, author of The Colours of Animals (1890) discovered the countershading of various insects, including the pupa or chrysalis of the purple emperor butterfly, Apatura iris, the caterpillar larvae of the brimstone moth, Opisthograptis luteolata and of the peppered moth, Biston betularia. However he did not use the term countershading, nor did he suggest that the effect occurred widely.

The New Hampshire artist Abbott Handerson Thayer was one of the first to study and write about countershading. In his 1909 book Concealing-Coloration in the Animal Kingdom, he correctly described and illustrated countershading with photographs and paintings, but wrongly claimed that almost all animals are countershaded. For this reason countershading is sometimes called Thayer's law. Thayer wrote:

Animals are painted by Nature darkest on those parts which tend to be most lighted by the sky's light, and vice versa. ... the fact that a vast majority of creatures of the whole animal kingdom wear this gradation, developed to an exquisitely minute degree, and are famous for being hard to see in their homes, speaks for itself.

— Thayer

Thayer observed and painted a number of examples, including the Luna moth caterpillar Actias luna, both in its habitual upside-down feeding position, where its countershading makes it appear flat, and artificially inverted from that position, where sunlight and its inverted countershading combine to make it appear heavily shaded and therefore solid. Thayer obtained a patent in 1902 to paint warships, both submarines and surface ships, using countershading, but failed to convince the US Navy to adopt his ideas.

Hugh Bamford Cott in his 1940 book Adaptive Coloration in Animals described many instances of countershading, following Thayer in general approach but criticising Thayer's excessive claim ("He says 'All patterns and colors whatsoever of all animals that ever prey or are preyed upon are under certain normal circumstances obliterative.'") that effectively all animals are camouflaged with countershading. Cott called this "Thayer straining the theory to a fantastic extreme".

Both Thayer and Cott included in their books photographs of a non-countershaded white cockerel against a white background, to make the point that in Thayer's words "a monochrome object can not be 'obliterated', no matter what its background" or in Cott's words "Colour resemblance alone is not sufficient to afford concealment". Cott explained that

Contrary to what might have been expected by any one lacking in artistic perception, the bird appears highly conspicuous, the back looking lighter, and the breast darker, than the background, although in actual fact, back, background and breast are all pure white."

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