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Critical reading

Form of language analysis

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Through Language

As acknowledged by a number of scholars and wordsmiths,

"...a story has as many versions as it has readers. Everyone takes what he wants or can from it and thus changes it to his measure. Some pick out parts and reject the rest, some strain the story through their mesh of prejudice, some paint it with their own delight."
— John Steinbeck, The Winter of Our Discontent (1961)

There are no simple relations between these levels. As the "hermeneutic circle" demonstrates, the understanding of single words depends on the understanding of the text as a whole (as well as the culture in which the text is produced) and vice versa: You cannot understand a text if you do not understand the words in the text.

The critical reading of a given text thus implies a critical examination of the concepts used as well as of the soundness of the arguments and the value and relevance of the assumptions and the traditions on which the text is given.

"Reading between the lines" is the ability to uncover implicit messages and bias.

Symptomatic reading

Thurston (1993, p. 638) introduces the concept of "symptomatic reading": "Symptomatic reading is used in literary criticism as a means of analyzing the presence of ideology in literary texts. French Marxist philosophers Louis Althusser and Étienne Balibar develop the technique of symptomatic reading in Reading Capital". Dorfman and Mattelart later used symptomatic reading as a means of analyzing the presence of imperialist ideology in Disney comics.

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