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Cultural capital

Concept of social status and social mobility

  • 13 min read
  • 5 chapters

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Pierre Bourdieu and Jean-Claude Passeron introduced the concept in the 1970s to explain persistent inequalities in educational achievement. Bourdieu later elaborated the theory in The Forms of Capital (1986), distinguishing three forms: embodied cultural capital, objectified cultural capital, and institutionalized cultural capital. Embodied cultural capital consists of internalized dispositions and competencies; objectified cultural capital refers to cultural goods such as books or artworks; and institutionalized cultural capital is represented by formally recognized credentials and qualifications.

Since its introduction, cultural capital has become a foundational concept in sociology and education research. It has been widely applied to analyses of social reproduction, class inequality, and institutional power, while also generating debates regarding its conceptual scope, empirical measurement, and applicability across different social contexts.

Origin

In "Cultural Reproduction and Social Reproduction" (1977), Pierre Bourdieu and Jean-Claude Passeron introduced cultural capital to explain differences in children's performance levels and academic achievement within the French educational system in the 1960s.

Bourdieu further developed the concept in his essay "The Forms of Capital" (1985) and in his book The State Nobility: Élite Schools in the Field of Power (1996). In the essay, Bourdieu lists cultural capital among two other categories of capital: economic capital, which refers to the command of economic resources (money, assets, property); and social capital, which is the actual and potential resources linked to the possession of a durable network of institutionalized relationships of mutual acquaintance and recognition.

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