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Drying oil

Oil that hardens after exposure to air

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Through Polymerization, Oxygen and Evaporation

Since oxidation is the key to curing in these oils, those that are susceptible to chemical drying are often unsuitable for cooking, and are also highly susceptible to becoming rancid through autoxidation, the process by which fatty foods develop off-flavors. Rags, cloth, and paper saturated with drying oils may spontaneously combust (ignite) after a few hours as heat is released during the oxidation process.

Chemistry of the drying process

The "drying", hardening, or, more properly, curing of oils is the result of autoxidation, the addition of oxygen to an organic compound and the subsequent crosslinking. This process begins with an oxygen molecule (O2) in the air inserting into carbon-hydrogen (C-H) bonds adjacent to one of the double bonds within the unsaturated fatty acid. The resulting hydroperoxides are susceptible to crosslinking reactions. Bonds form between the fatty acid chains, resulting in a polymer network, often visible by formation of a skin-like film on samples. This polymerization results in stable films that, while somewhat elastic, do not flow or deform readily. Diene-containing fatty acid derivatives, such as those derived from linoleic acid, are especially prone to this reaction because they generate pentadienyl radicals. Monounsaturated fatty acids, such as oleic acid, are slower to undergo drying because the allylic radical intermediates are less stable (i.e., slower to form).

The early stages of the drying process can be monitored by weight changes in an oil film. The film becomes heavier as it absorbs oxygen. Linseed oil, for instance, increases in weight by 17 percent. As oxygen uptake ceases, the weight of the film declines as volatile compounds evaporate. As the oil ages, further transitions occur. A large number of the original ester bonds in the oil molecules undergo hydrolysis, releasing individual fatty acids. In the case of paints, some portion of these free fatty acids (FFAs) react with metals in the pigment, producing metal carboxylates. Together, the various non-cross-linking substances associated with the polymer network constitute the mobile phases. Unlike the molecules that are part of the network itself, they are capable of moving and diffusing within the film, and can be removed using heat or a solvent. The mobile phase may play a role in plasticizing paint films, preventing them from becoming too brittle. Carboxyl groups in the polymers of the stationary phase ionize, becoming negatively charged and form complexes with metal cations present in the pigment. The original network, with its nonpolar, covalent bonds, is replaced by an ionomeric structure, held together by ionic interactions. The structure of these ionomeric networks is not well understood.

Most drying oils rapidly increase in viscosity after heating in the absence of air. If the oil is subjected to raised temperatures for a long time, it will become a rubbery oil-insoluble substance.

Role of metal catalysts

The drying process is accelerated by certain metal salts. These so-called oil drying agents are often naphthenic acid derivatives of cobalt, manganese, or iron. Functioning as homogeneous catalysts these lipophilic transition metal carboxylates speed up the reduction of the hydroperoxide intermediates. A series of additional reactions ensues. Each step produces free radicals, which then engage in further crosslinking. The process finally ends when pairs of free radicals combine. The polymerization occurs over a period of days to years and renders the film dry to the touch.

Premature action of the drying agents causes the formation of a "skin." For paints, skinning is undesirable but can be suppressed by the addition of antiskinning agents such as methylethyl ketone oxime, which evaporate when the paint/oil is applied to a surface.

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