Grimsthorpe Castle

The Tudor period

This grant by Henry VIII, Henry Tudor's son, to the 11th Baron Willoughby de Eresby was made in 1516, together with the hand in marriage of Maria de Salinas, a Spanish lady-in-waiting to Queen Catherine of Aragon. Their daughter Katherine inherited the title and estate on the death of her father in 1526, when she was aged just seven. In 1533, she became the fourth wife of Charles Brandon, 1st Duke of Suffolk, a close ally of Henry VIII. In 1539, Henry VIII granted Charles Suffolk the lands of the nearby suppressed Vaudey Abbey, founded in 1147, and he used its stone as building material for his new house. Suffolk set about extending and rebuilding his wife's house, and in only eighteen months it was ready for a visit in 1541 by King Henry, on his way to York to meet his nephew, James V of Scotland. In 1551, James's widow Mary of Guise also stayed at Grimsthorpe. The house stands on glacial till and it seems that the additions were hastily constructed. Substantial repairs were required later owing to the poor state of the foundations, but much of this Tudor house can still be seen today.

During Mary's reign the castle's owners, Katherine Brandon, Duchess of Suffolk (née Willoughby) and her second husband, Richard Bertie, were forced to leave it owing to their Anglican views. On Elizabeth's succeeding to the throne, they returned with their daughter, Susan, later Countess of Kent and their new son Peregrine, later the 13th Baron. He became a soldier and spent much of his time away from Grimsthorpe.

The Vanbrugh building

By 1707, when Grimsthorpe was illustrated in Britannia Illustrata, the 15th Baron Willoughby de Eresby and 3rd Earl Lindsey had rebuilt the north front of Grimsthorpe in the classical style. However, in 1715, Robert Bertie, the 16th Baron Willoughby de Eresby, employed Sir John Vanbrugh to design a Baroque front to the house to celebrate his ennoblement as the first Duke of Ancaster and Kesteven. It is Vanbrugh's last masterpiece. He also prepared designs for the reconstruction of the other three ranges of the house, but they were not carried out. His proposed elevation for the south front was in the Palladian style, which was just coming into fashion, and is quite different from all of his built designs.

Inside, the Vanbrugh hall is monumental with stone arcades all around at two levels. Arcaded screens at each end of the hall separate the hall from staircases, much like those at Audley End House and Castle Howard. The staircase is behind the hall screen and leads to the staterooms on the first floor. The State Dining Room occupies Vanbrugh's north-east tower, with its painted ceiling lit by a Venetian window. It contains the throne used by George IV at his Coronation Banquet, and a Regency giltwood throne and footstool used by Queen Victoria in the old House of Lords. There is also a walnut and parcel gilt chair and footstool made for the use of George III at Westminster. The King James and State Drawing Rooms have been redecorated over the centuries, and contain portraits by Reynolds and Van Dyck, European furniture, and yellow Soho Tapestries woven by Joshua Morris around 1730. The South Corridor contains thrones used by Prince Albert and Edward VII, as well as the desk on which Queen Victoria signed her coronation oath. A series of rooms follows in the Tudor east range, with recessed oriel windows and ornate ceilings. The Chinese drawing room has a splendidly rich ceiling and an 18th-century fan-vaulted oriel window. The walls are hung with Chinese wallpaper depicting birds amidst bamboo. The chapel is magnificent with superb 17th-century plasterwork.

The park

The park was originally the southern edge of the great Lincolnshire forest, and its medieval deer park and Tudor oak park are crossed by fine avenues of trees. Oak trees which will have been among those recorded in the Domesday Book of 1086 were growing in the park when drawings of the park were made in the early 18th century. Some of these ancient trees were reportedly still alive in the 20th century. The present Grimsthorpe Castle park was designed by Lancelot "Capability" Brown (1771) and implemented by his patron, the 3rd Duke of Ancaster. The garden contains a knot garden, hedged rose gardens, a terrace with herbaceous and shrub borders, and a summerhouse designed by Vanbrugh. The formal flower and topiary garden leads imperceptibly into the woodland garden, and provides a fine setting for the ornamental vegetable garden and orchard, created in the 1960s by the Countess of Ancaster and Peter Coates. Intricate parterres marked with box hedges lie close to the Castle, and a dramatic herbaceous border frames views across the lake.

Nineteenth century

The 1st Earl of Ancaster was very interested in technology, and attempted to improve the productivity of the estate in a number of ways. He organised an early demonstration of steam ploughing, built a private railway and used portable steam engines in the sawmill and for pumping.

Twentieth century

During the First World War Grimsthorpe Park was used by the Royal Flying Corps and Royal Air Force as an emergency landing ground. During the Second World War the central part of the park, near the Vaudey Abbey site, was used as a bombing range. In 1944 the castle housed a company of the Parachute Regiment while it was recovering from operations in Italy and training for what became Operation Market Garden. Their flight for Arnhem began from RAF Folkingham.

Grimsthorpe and Drummond castles are now owned and managed by a trust.

Twenty-first century

Since 2021, the Festival of the Unexceptional has been held at Grimsthorpe Castle.

Art collection

A life-sized Francisco de Zurbarán portrait of Benjamin hangs at Grimsthorpe; it is the sole painting that has been separated from the Zurbarán series Jacob and his twelve sons preserved at Auckland Castle in Bishop Auckland, County Durham. There is a copy of Benjamin at Bishop Auckland.