Historical romance

Varieties

Viking

Viking books feature warriors during the Dark Ages or Middle Ages. Heroes in Viking romances are stereotypically masculine men who are later "tamed" by their heroines. Most heroes are described as "tall, blonde, and strikingly handsome." Using the Viking culture allows novels set in these time periods to include some travel, as the Vikings were "adventurers, founding and conquering colonies all over the globe." In a 1997 poll of over 200 readers of Viking romances, Johanna Lindsey's Fires of Winter was considered the best of the subgenre. The subgenre has fallen out of style, and few novels in this vein have been published since the mid-1990s.

Medieval

Medieval romances are typically set between 938 and 1485. Women in the medieval time periods were often considered as no more than property who were forced to live at the mercy of their father, guardian, or the king. Always a lady, the heroine must use her wits and will and find a husband who will accept her need to be independent, yet still protect her from the dangers of the times. The hero is almost always a knight who first learns to respect her and her uncommon ideas and then falls in love. Heroes are always strong and dominant, and the heroine, despite the gains she has made, is usually still in a subordinate position. However, that position is her choice, made "for the sake of and with protection from an adoring lover, whose main purpose in life is to fulfill his beloved's wishes."

Tudor

Tudor romances are set in England between 1485 and 1558.

Elizabethan

Elizabethan romances are set in England between 1558 and 1603, during the time of Elizabeth I.

Stuart

Stuart romances are set between 1603 and 1714 in England.

Georgian

Georgian romances are set between 1714 and 1811 in England.

Regency

Regency romances are set between 1811 and 1820 in England.

Victorian

Victorian romances are set in England between 1832 and 1901, beginning with the Reform Act 1832 and including the reign of Queen Victoria. Novels set during this period but in a fictional country may be Ruritanian novels such as those by Beatrice Heron-Maxwell. M.M. Kaye focuses on the British Raj in this period rather than England itself.

Pirate

Pirate novels feature a male or female who is sailing, or thought to be sailing, as a pirate or privateer on the high seas. According to Ryan Kate, heroes are the "ultimate bad boys," who "dominate all for the sake of wealth and freedom." The heroine is usually captured by the hero in an early part of the novel, and then is forced to succumb to his wishes; eventually she falls in love with her captor. On the rarer occasions where the heroine is the pirate, the book often focuses on her struggle to maintain her freedom of choice while living the life of a man. Regardless of the sex of the pirate, much of the action in the book takes place at sea.

Colonial United States

Colonial United States novels are all set in that country between 1630 and 1798.

Civil War

Civil War novels place their characters within the events of the American Civil War and the Reconstruction era. They may be set in the Confederacy or the Union.

Western

Western novels are set in the frontier of the United States, Canada, or Australia. Unlike Westerns, where women are often marginalized, the Western romance focuses on the experiences of the female. Heroes in these novels seek adventure and are forced to conquer the unknown. They are often loners, slightly uncivilized, and "earthy." Their heroines are often forced to travel to the frontier by events outside their control. These women must learn to survive in a man's world, and, by the end of the novel, have conquered their fears with love. In many cases the couple must face a level of personal danger, and, upon surmounting their troubles, are able to forge a strong relationship for the future.

Native American

Native American novels could also fall into the Western subgenre, but always feature Native American protagonists, historically described as "Red Indians", whose "heritage is integral to the story." These romances "[emphasize] instinct, creativity, freedom, and the longing to escape from the strictures of society to return to nature." Members of Native American tribes who appear in the books are usually depicted as "exotic figures" who "[possess] a freedom to be admired and envied." Often the Native protagonist is struggling against racial prejudice and incurs hardships trying to maintain a way of life that is different from the norm. By the end of the novel, however, the problems are surmounted. The heroes of these novels are often fighting to control their darker desires. In many cases, the hero or heroine is captured and then falls in love with a member of the tribe. The tribe is always depicted as civilized, not consisting of savages, and misunderstood.

When surveyed about their reasons for reading Native American romances, many readers cite the desire to learn about the beliefs, customs and culture of the Native American tribes. The novels within this subgenre are generally not limited to a specific tribe, location, or time period. Readers appreciate that native tribes "have a whole different way of life, a different way of thinking and a different way of looking at things". In many cases, the tribe's love of nature is highlighted.

Americana

Americana novels are set in the United States between 1880 and 1920, usually in a small town or in the Midwest.