Huaca

Huacas along ceremonial routes

A huaca could be built along a processional ceremonial line or route, as was done for the enactment of sacred ritual within the capital at Cusco. Such lines were referred to as ceques. The work of Tom Zuidema and Brian Bauer (UT-Austin) explores the range of debate over their usage and significance.

These lines were laid out to express the cosmology of the culture and were sometimes aligned astronomically to various stellar risings and settings. These pertained to seasonal ceremonies and time keeping (for the purposes of agriculture and ceremony and record keeping). These ceque lines bear significant resemblance to the processional lines among the Maya (sacbe), the Chacoans, and the Muisca (Suna).

Huacas in the Inka Empire

In the Inca (Inka) Empire, huacas were involved more in prominent monuments, such as the Huaca del Sol and the Huaca de la Luna. As stated above, they were also found along the ceque system (or siq'is lines). When talking about huacas in the Inka empire, it's important to understand that both the Andean people of the Andes region and the Inka shared many beliefs when it came to huaca ideology. Pre-empire Inka had a hard time gaining land control in their constant fights with the Andeans, and only peace was made when the Inka materialized their huacas into a state-controlled system that was common throughout the empire. A common system and a common cultural influence held the Inka empire together:

"It can be argued that the sacred nature of huacas represented the primary connection between Andean ideologies and Inca ideology. Both Andean and Inca ideologies considered huacas as manifestations of both the natural and the supernatural world such as springs, stones, hills and mountains, temples, caves, roads, or trees (D‟Altroy 2002:163)."

The Inka believed in using the huacas as the main agents of sacred and supernatural structural affiliation in their culture, while also using them as political and social tools for manipulation of other cultural groups around them. In the Cusco ceque system, most, if not all, of the huacas facilitated communication with the supernatural world or had some connection with chthonic powers that were thought to have shaped certain aspects of the region's people. While the Inka huacas were mainly stationary, some of the Andean huacas were actually portable. There are references to huacas being taken into battle or being physically transported to Cusco, capital of the Inka empire. One such huaca is described below:

"The ninth guaca (huaca) was named Cugiguaman. It was a stone shaped like a falcon which Inca Yupanqui said had appeared to him in a quarry, and he ordered that it be placed on this ceque and that sacrifices be made to it."

Some huacas were described as shrines, monuments, or temples that were associated with religion. Other huacas were physical aspects of the landscape, such as mountains or large boulders that still held religious and cultural significance. Since the huacas could have been a part of the landscape, this made it difficult for archaeologists to find and identify them. Shrines and shrine candidates were promptly photographed and compared to other known huacas. Interviews with local village officials helped researchers ensure that the huacas found on the ceques were legitimate. The location of the huacas aided archaeologists in determining what they were used for and what religious ceremonies may have occurred there.

Special compounds were erected at certain huacas where priests composed elaborate rituals and religious ceremonial culture. For instance, the ceremony of the sun was performed at Cusco (Inti Raymi). The Inka elaborated creatively on a preexisting system of religious veneration of the peoples whom they took into their empire. This exchange ensured proper compliance among conquered peoples. The Inka also transplanted and colonized whole groups of persons of Inka background (Mitmaq) with newly adopted peoples to arrange a better distribution of Inka persons throughout all of their empire in order to avoid widespread resistance. In this instance, huacas and pacarinas became significant centers of shared worship and a point of unification of ethnically and linguistically diverse peoples. They helped to bring unity and common citizenship to often geographically disparate peoples. Since pre-inka times the people developed a system of pilgrimages to these various shrines, prior to the introduction of Catholicism.

Moche Huacas

Two of the greatest huacas built by the Moche were the Huaca del Sol and the Huaca de la Luna. While both of these buildings were built with mud adobe bricks, many characteristics of the bricks differ between the two huacas. Thus, symbolizing two distinct eras in Inka architecture. The bricks varied in many ways such as dimensions, maker marks, soil composition, and mold marks. With that being said, both buildings were constructed in similar ways. Adobe bricks were laid into vertical columns adjacent to one another. Continuing to lay adobe brick columns next to one another in order to construct different sections of a building is characterized as “segmented” construction. The construction of Huaca del Sol is determined to have used over 143 million adobe bricks and the platforms from the Luna are estimated to have required over 50 million adobe blocks. The only uniform characteristic of these adobe bricks, in regard to their dimensional shape, is that "they are wider than they are high." Bricks in the same segment were relatively similar in shape and size, however, there was little symmetry between segments. Many sections of Luna show greater deviation than later columns and structures. As the Inka empire grew in strength and size, adobe bricks became increasingly ubiquitous. Many segments of Luna saw an abundance of deviation from one another. Conversely, Sol, which was built after Luna, has a more well-defined uniformity between adobe bricks used between segments. While the uniform shape of the bricks helped to signify the increasing dominance of the Inka, adobe bricks remained unique in one way. Each brick was marked by its maker on the bottom of the brick. While some markers appear more frequently than others, each symbolizes where the adobe bricks came from.