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Johnny B. Goode

1958 single by Chuck Berry

  • 5 min read
  • 5 chapters
"Johnny B. Goode" (matrix/runout #8633) by written and sung by Chuck Berry. One of side-A labels of original US single release (cat #1691)
Chess Records · Public domain

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"Johnny B. Goode" is considered one of the most recognizable songs in the history of popular music. Credited as "the first rock & roll hit about rock & roll stardom", it has been covered by various other artists and has received several honors and accolades. These include being ranked 33rd and 7th, respectively, on Rolling Stone's 2021 and 2004 versions of 500 Greatest Songs of All Time. It was also included as one of the 27 songs on the Voyager Golden Record, a collection of music, images, and sounds designed to serve as an introduction and record of global humanity’s achievements, innovations and culture, to alien/otherworldly inhabitants.

Composition and recording

Written by Chuck Berry in 1955, the song is about an illiterate "country boy" from the New Orleans area, who plays a guitar "just like ringing a bell", and who might one day have his "name in lights". Berry acknowledged that the song is partly autobiographical and that the original lyrics referred to Johnny as a "colored boy", but he changed it to "country boy" to ensure eligibility for radio play. As well as suggesting that the guitar player is good, the title hints at autobiographic elements, because Berry was born at 2520 Goode Avenue, in St. Louis.

The song was initially inspired by Johnnie Johnson, the regular piano player in Berry's band, but developed into a song mainly about Berry himself. Johnson played on many recordings by Berry, but for the Chess recording session Lafayette Leake played the piano, along with Willie Dixon on bass and Fred Below on drums. The session was produced by Leonard and Phil Chess. The guitarist Keith Richards later suggested that the song's chords are more typical of compositions written for piano than for guitar.

The opening guitar riff of "Johnny B. Goode" borrows from the opening single-note solo on Louis Jordan's "Ain't That Just Like a Woman" (1946), played by guitarist Carl Hogan. One notable feature of Berry's recording is the contrast between the swing of the drums and piano backing, and the "straight" (non-swinging) rhythm of the lead guitar.

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