Korney Chukovsky
Russian children's poet (1882–1969)
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Early life
Nikolay Vasilyevich Korneychukov (Russian: Николай Васильевич Корнейчуков) was born in Saint Petersburg as an illegitimate son of Yekaterina Osipovna Korneychukova and of Emmanuil Solomonovich Levenson, a man from a wealthy Russian Jewish family (his legitimate grandson was mathematician Vladimir Rokhlin). Levenson's family did not permit his marriage to Korneychukova, and the couple was eventually forced to separate. Korneychukova moved to Odessa with her two children, Nikolay and his sister Marussia. Levenson supported them financially for some time, until his marriage to another woman. Nikolay studied at the Odessa gymnasium, where one of his classmates was Vladimir Ze'ev Jabotinsky. Later, the gymnasium expelled Nikolay for his "low origin" (a euphemism for illegitimacy). He had to obtain his secondary-school and university diplomas by correspondence.
The writer reworked his family name Korneychukov into his now familiar pen-name while working as a journalist at Odessa News in 1901.
He taught himself English and, in 1903–05, he served as the London correspondent of an Odessa newspaper, although he spent most of his time at the British Library instead of in the parliamentary press gallery. Back in Russia, Chukovsky started translating English works and published several analyses of contemporary European authors, which brought him in touch with leading personalities of Russian literature and secured the friendship of Alexander Blok. Chukovsky's English was not idiomatic - he had taught himself to speak it by reading and he thus pronounced English words in a distinctly odd manner, and it was difficult for people to understand him in England. His influence on Russian literary society of the 1890s is immortalized by satirical verses of Sasha Chorny, including Korney Belinsky (an allusion to the famous critic Vissarion Belinsky (1811–1848)). Korney Chukovsky published several notable literary titles, including From Chekhov to Our Days (1908), Critique stories (1911) and Faces and masks (1914). He also published a satirical magazine called Signal (1905–1906) and was arrested for "insulting the ruling house", but was acquitted after six months of investigative incarceration.
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Later life and works
It was at that period that Chukovsky produced his first fantasies for children. The girl from his famous fairy tale poem "Crocodile" was inspired by Lyalya, daughter of his long-time friend, publisher Zinovii Grzhebin. A bibliographical sketch for Chukovsky in The New Encyclopædia Britannica: Micropædia and Merriam-Webster's Encyclopedia of Literature characterized "Crocodile", along with other Chukovsky's verse tales as follows, "clockwork rhythms and air of mischief and lightness in effect dispelled the plodding stodginess that had characterized pre-revolutionary children's poetry." Subsequently, they were adapted for theatre and animated films, with Chukovsky as one of the collaborators. Sergei Prokofiev and other composers even adapted some of his poems for opera and ballet. His works were popular with emigre children as well, as Vladimir Nabokov's complimentary letter to Chukovsky attests.
During the Soviet period, Chukovsky edited the complete works of Nikolay Nekrasov and published From Two to Five (1933), a popular guidebook to the language of children.
In addition to Nekrasov, Chukovsky studied the biographies and works of a number of other 19th-century writers (Chekhov, Dostoevsky, Sleptsov). This is the subject of his book People and Books of the Sixties.
As his diaries attest, Chukovsky used his popularity to help the authors persecuted by the regime including Anna Akhmatova, Mikhail Zoshchenko, Alexander Galich and Aleksandr Solzhenitsyn. He was the only Soviet writer who officially congratulated Boris Pasternak on winning the Nobel Prize.
At one point his fantastic writings for children (Bibigon, Moydodyr, Barmaley from Doctor Aybolit, etc.) were under severe criticism. Nadezhda Krupskaya was an initiator of this campaign against "Chukovshshina", but criticism also came also from children's writer Agniya Barto.
Chukovsky extensively wrote about the translation process and critiqued other translators. In 1919, he co-wrote with Nikolai Gumilev a brochure called Printsipy khudozhestvennogo perevoda (English: Principles of Artistic Translation). In 1920, Chukovsky revised it, and he substantially rewrote and expanded it numerous times throughout his life without Gumilev. Chukovsky's subsequent revisions were done in 1930 (re-titling it Iskusstvo perevoda [English: The Art of Translation]), 1936, 1941 (re-titling it Vysokoe iskusstvo [English: A High Art]), 1964, and his final revision was published in his Collected Works in 1965–1967. In 1984, Lauren G. Leighton published her English translation of Chukovsky's final revision, and titled it The Art of Translation: Kornei Chukovsky's A High Art.
Starting in the 1930s, Chukovsky lived in the writers' village of Peredelkino near Moscow, where he is now buried.
He died on October 28, 1969 from viral hepatitis in Kuntsevo Hospital.
For his works on the life of Nekrasov he was awarded a Doktor nauk in philology. He also received the Lenin Prize in 1962 for his book, Mastery of Nekrasov and an honorary doctorate from University of Oxford in 1962.
Family
On May 26, 1903, Chukovsky married Maria (Maria Borisovna Chukovskaya) née Goldfeld, daughter of Aron-Ber and Tauba.
His daughter, Lydia Chukovskaya (1907–1996), is remembered as a noted writer, memoirist, philologist and lifelong assistant and secretary of the poet Anna Akhmatova.
His son, Nikolai Chukovsky (1904–1965) was a writer and translator.
His son Boris (1910—1941 went missing in action during World War II.
His daughter Maria (1920–1931), affectionately called "Mura", a character in some of his children's poems and stories, died in her childhood from tuberculosis.
Mathematician Vladimir Abramovich Rokhlin was his nephew.