Lably
Skip to content

Latin syntax

Part of Latin grammar

  • 38 min read
  • 12 chapters

Related on Lably

Through Syntax and Functional linguistics

The study of Latin syntax in a systematic way was particularly a feature of the late 19th century, especially in Germany. For example, in the 3rd edition of Gildersleeve's Latin Grammar (1895), the reviser, Gonzalez Lodge, mentions 38 scholars whose works have been used in its revision; of these 31 wrote in German, five in English and two in French. (The English scholars include Roby and Lindsay).

In the twentieth century, the German tradition was continued with the publication of two very comprehensive grammars: the Ausführliche Grammatik der lateinischen Sprache by Raphael Kühner and Karl Stegmann (1912, first edition 1879), and the Lateinische Grammatik by Manu Leumann, J.B. Hofmann, and Anton Szantyr (revised edition Munich 1977, first edition 1926). Among works published in English may be mentioned E.C. Woodcock's A New Latin Syntax (1959). More recently, taking advantage of computerised texts, three major works have been published on Latin word order, one by the American scholars Andrew Devine and Laurence Stephens (2006), and two (adopting a different approach) by the Czech scholar Olga Spevak (2010 and 2014).

Latin word order

Latin word order is relatively free. The verb may be found at the beginning, in the middle, or at the end of a sentence; an adjective may precede or follow its noun (vir bonus or bonus vir both mean 'a good man'); and a genitive may precede or follow its noun ('the enemies' camp' can be both hostium castra and castra hostium; the latter is more common). There are also stylistic differences between Latin authors; for example, while Caesar always writes castra pōnit 'he sets up camp', Livy more often writes pōnit castra.

There are however certain constraints; for example, in prose a monosyllabic preposition such as in 'in' generally precedes its noun (e.g. in Italiā 'in Italy'). Moreover, even though adjectives can both precede and follow the noun, there is a tendency for different kinds of adjectives to take different positions; for example adjectives of size usually come before the noun (magnā vōce 'in a loud voice', rarely vōce magnā), while "modifiers that are more important than their noun or that specify it" (e.g. Via Appia 'the Appian Way') usually follow it.

To explain Latin word order there are two main schools of thought. One, represented by Devine and Stephens (2006), argues from the point of view of generative grammar, and maintains that Latin prose has a basic underlying "neutral" word order, from which authors deviate for reasons of emphasis, topicalisation, rhythm, and so on. According to Devine and Stephens, the basic order in broad scope focus sentences is as follows:

  • Subject – Direct Object – Indirect Object / Oblique Argument – Adjunct – Goal or Source Argument – Non-Referential Direct Object – Verb

The other approach, represented by Panhuis (1982) and Olga Spevak (2010), examines Latin word order from the point of view of functional grammar. Rejecting the idea that there is a basic word order, this approach seeks to explain word order in terms of pragmatic factors, such as topic and focus, and semantic ones (1st person before 2nd, human before animals or things, agent before patient, etc.).

Examples of word order

The order of words is often chosen according to the emphasis required by the author. One way of emphasising a word is to reverse the usual order. For example, in the opening sentence of Caesar's Gallic War, the usual order of numeral and noun trīs partīs 'three parts' is reversed to emphasise the number "three":

  • Gallia est omnis dīvīsa in partes tres
'Gaul, considered as a whole, is divided into three (parts)'

Another technique used by Latin authors is to separate a phrase and put another word or phrase in the middle, for example:

  • magnam enim sēcum pecūniam portābat
'for he was carrying with him a large sum of money'

The technical term for this kind of separation is "hyperbaton" (Greek for 'stepping over'); it is described by Devine and Stephens as 'perhaps the most distinctively alien feature of Latin word order'.

Placing the verb at or near the beginning of a clause sometimes indicates that the action is sudden or unexpected:

  • statim complūrēs cum tēlīs in hunc faciunt dē locō superiōre impetum
'immediately several men, (armed) with weapons, launch an attack on my client from higher ground'

Splitting up an adjective-noun phrase and bringing the adjective to the beginning of the sentence can highlight it. In the following example from Cicero, the splitting of cruentum 'blood-stained' and pugiōnem 'dagger' creates a dramatic effect:

  • statim cruentum altē tollēns Brūtus pugiōnem Cicerōnem nōminātim exclāmāvit
'immediately, raising high the blood-stained dagger, Brutus shouted out "Cicero" by name'

Considerations of rhythm and elegance also play a part in Latin word order. For example, Pliny the Younger begins a letter as follows:

  • magnum prōventum poētārum annus hic attulit
'it is a great crop of poets this year has brought'

In this sentence, the object (magnum prōventum poētārum 'a great crop of poets') has been brought forward to highlight it. The other striking feature is the order annus hic for the more usual hic annus 'this year'. Two reasons which might be suggested are Pliny's fondness for ending a sentence with the rhythm − u − − u − and also no doubt because of the elegant assonance of the vowels a-u-i a-u-i in the last three words.

Sign in to keep reading

11 more chapters are free with a Lably account.

More in Language and linguistics