Maya death gods

Mythology

Kʼicheʼ

In the Popol Vuh, the Hero Twins descend to the "Place of Fright" (Xibalba), where a pair of Death Gods, Hun-Came ("One-Death") and Vucub-Came ("Seven-Death"), rule over a series of disease-bringing deities. They defeat the Death Gods and put restrictions on their cult.

Yucatec

According to one of the earliest sources on Maya religion (Francisco Hernández 1545), Eopuco (i.e., Ah Pukuh) mistreated and killed the Bacab, who was resurrected three days later.

Lacandon

The skeletal death god Kisin plays a prominent role in Lacandon mythology, chiefly in the following tales:

• (i) The creation of the underworld by the upper god, involving the upper god's death at the hands of Kisin, his resurrection, and Kisin's confinement to the underworld; in his anger, Kisin sometimes kicks the pillars of the earth, thus causing earthquakes;
• (ii) A failed attempt at the creation of human beings in emulation of the upper god, leading to the creation of the "totemic" animals of certain kin groups (onen);
• (iii) The descent of the ancestor Nuxiʼ into the underworld to woo Kisin's daughter;
• (iv) The description of the destiny of the souls in the underworld, where Kisin (a) burns the souls of evildoers, (b) transforms the souls of certain evildoers into his "domestic animals," (c) hunts for the spider monkey doubles of men destined to die.

Classic Period: God A

During the Classic period, his abdomen is sometimes replaced with out-pouring swirls of blood or rotting matter. He is usually accompanied by spiders, centipedes, scorpions, a vulture, an owl, and a bat. He is pictured with jewelry usually on his wrists and ankles. On his lower extremity, he has around "molo" sign that putrid smells of death. Over his head is a floating object shaped like an "S" probably an insect carrying a torch. On his forehead like other deities of the underworld he wears an "aqabal" also known as an emblem of "darkness." His head in Maya culture was used to represent the number 10, the lower jawbone meant the numeral ten that was inscribed within all other head variants of the numbers thirteen to nineteen. He was often pictured as dancing and holding a smoking cigarette. On his neck is a death collar which consists of embodied eyes hanging by their nerve cords. The black spots on his body represent the decay of the flesh. Since he is a rotting corpse in some images he is shown with a bloated stomach.

Ritual

Both God A and God A' figure prominently in the New Year rites depicted in the Dresden Codex. God A' probably corresponds to the death god Uacmitun Ahau in Landa's description of the New year rites. He presides over a year of great mortality. To ward off evil during this year, men would walk over a bed of glowing embers that possibly represented the fires of the Underworld. Temple priests would get in costumes of God A' and performed rites of bloodletting and human sacrifice. Those who impersonated this deity would dance out the steps of ritual sacrifice, putting terror in the soul of ritual participants and the spectators who witnessed these sacred events.

Man Hunt and Deer hunt

With varying hieroglyphic names and attributes, God A figures in processions and random arrays of were-animals and spooks (wayob). In connection with these apparitions, he tends to be depicted either as a headhunter or as deer hunter (see figure). On the grandiose Tonina stucco wall, the severed head is that of an enemy king. The death god's deer hunt has two sides. On the one hand, this deer hunt may metaphorically refer to a hunt for human victims. On the other hand, there also seems to be a connection with certain wayob shaped like deer but with the tail of a spider monkey. On the famous peccary skull from Copan, for example, such a deer way appears to be welcoming the death god returning from a hunt.

Jaguar baby transformation

Together with the Rain Deity Chaac, God A is present at the jaguar transformation of a man (possibly a hero) who is usually shown as a baby, and who seems to disappear into the underworld.--

Apart from these contexts, on a Copan bench, the earth-carrying Bacabs are paired off with death gods A. This may relate to the fact that in Yucatán, one of the four Bacabs was called "White Death" (Zaccimi).

Classic Period: God A'

The other codical death god is God A' ("A prime"), corresponding to Landa's Uac Mitun Ahau, and characterized by a black stripe over the eyes and a "darkness" infix in the forehead. Just like death god A, he figures among the Classic wayob. Instead of being a head hunter, however, God A' is a demonic apparition repeatedly shown in the illusionistic act of self-decapitation. He is presented with very pale flesh similar to a corpse. Over his eyes are black bands. Like all deities in the underworld, he wears the "aq'ab'al" which is the sign of underworld darkness and divination. The god is shown wearing a large headdress with a femur bone going through the center of it. In most images, he is shown holding either a stave, pipe, or orb. Like most deities in the Maya religion, he wears jewelry around the neck, wrist, and ankles. He wears a gown or cloth that covers his pelvis area in the front and his backside. His iconography shows considerable overlap with that of an anthropomorphic way (labeled Mokochih) and of a demonic flying insect sometimes carrying a torch (possibly a blowfly, firefly, or wasp). In spite of the above, it has been suggested that the hieroglyphic name of God A' should be read as Akan, a name otherwise only known as that of a 16th-century deity of alcoholic beverages.

Calendrical and astrological functions

A text from the early colonial songbook of Dzitbalche states the Underworld (Miitnal) to be opened and Kisin (Cizin) to be liberated during the concluding twenty days of the year (Uayah-yaab). In the Classic period, the head of the skeletal God A serves as (i) the hieroglyph for the day Kimi, "Death," corresponding to Kame' in Quiché, also the name of the paired rulers of Xibalba in the Popol Vuh; (ii) the hieroglyph for the number ten (lajun), perhaps because the verbal stem laj- means "to end;" (iii) a variable element in glyph C of the Lunar Series, registering one to six completed lunations, probably for the prediction of lunar eclipses. Apparently connected to this, God A can be depicted with the attribute of a crescent that seems to mark him as a lunar patron deity. A vignette of God A (or perhaps his female counterpart) illustrates the lunar eclipse tables of the Dresden Codex (see figure).