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Paula Gunn Allen

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Through Feminism and Short story

In addition to her poetry and fiction, in 1986 she published the book, The Sacred Hoop: Recovering the Feminine in American Indian Traditions, in which she posited that Europeans had de-emphasized the role of women in their accounts of Native American cultures because of their own biases, as they were from patriarchal societies.

Biography

Paula Marie Francis was born on October 24, 1939 in Cubero, New Mexico, a Spanish-Mexican land grant village bordering the Laguna Pueblo reservation. Of mixed Scottish American, Lebanese-American, and Laguna descent, Allen always identified most closely with the Laguna, among whom she spent part of her childhood. She was not enrolled in any Native nation.

She was one of five children born to Ethel Gottlieb Francis, who came from the Keres Pueblo people, and Elias Lee Francis II. Her Lebanese-American father owned a local store, the Cubero Trading Company, and later served as the lieutenant governor of New Mexico from 1967 to 1970. Her parents were both musicians, and her brother, Lee Francis, went on to be a poet, storyteller, and educator.

Allen first went to a mission school and graduated in 1957 from a boarding school called the "Sisters of Charity" located in Albuquerque. She first took an interest in writing in high school after discovering the work of Gertrude Stein.

She briefly attended the Colorado Women's College, then received a BA in English in 1966 and an MFA in creative writing in 1968 from the University of Oregon. At the University of Oregon, she studied under poet Ralph Salisbury, who claimed to be Cherokee and would have a heavy influence on Allen. Allen also credits N. Scott Momaday's House Made of Dawn with restoring her sense of Native identity and alleviating a serious depressive episode while she worked on her master's degree.

In 1975, she earned a PhD at the University of New Mexico, where she worked as a professor and began research on tribal religions. As a student at the University of New Mexico, Allen reached out to a poetry professor, Robert Creeley, for poetic advice. He directed her to the work of Charles Olson, Allen Ginsberg, and Denise Levertov, who all had strong influences on her work.

In the 1980s, Allen was a fellow at the Stanford Humanities Institute, where she helped coordinate a weekly women's workshop.

Allen taught at Fort Lewis College in Colorado, the College of San Mateo, San Diego State University, San Francisco State University, the University of New Mexico, Albuquerque, the University of California, Berkeley, and the University of California, Los Angeles. She taught at UCLA from 1990 to 1999 as a professor of the English department and the UCLA American Indian Studies Center.

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