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Piano sonatas (Beethoven)

Piano sonatas written by Beethoven

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Detail from a picture depicting Beethoven's workroom in Schwarzspanierhaus, 1827
Hoechle, Johann Nepomuk (1790 - 1835) · Public domain

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Through Ludwig van Beethoven

Beethoven's piano sonatas came to be seen as the first cycle of major piano pieces suited to both private and public performance. They form "a bridge between the worlds of the salon and the concert hall". The first person to play them all in a single concert cycle was Hans von Bülow; the first complete recording is Artur Schnabel's recordings for the label His Master's Voice.

List of sonatas

Bonn sonatas

These four sonatas are usually not acknowledged as part of the complete set of piano sonatas because for the first three, Beethoven was 13 when they were published, and for the fourth, it was originally left incomplete by the composer.

  • WoO 47: Three Piano Sonatas (composed 1782–3, published 1783)
    1. Piano Sonata in E♭ major
    2. Piano Sonata in F minor
    3. Piano Sonata in D major
  • WoO 51: Piano Sonata in C major (composed 1790–91, published 1830)

Early sonatas

Beethoven's early sonatas were highly influenced by those of Haydn and Mozart. Piano Sonatas No. 1, 2, 3, 4, 7, 11, 12, 13, and 15 are four movements long, which was rather uncommon in his time.

  • Opus 2: Three Piano Sonatas (1795)
    1. Piano Sonata No. 1 in F minor
    2. Piano Sonata No. 2 in A major
    3. Piano Sonata No. 3 in C major
  • Opus 7: Piano Sonata No. 4 in E♭ major ("Grand Sonata") (1797)
  • Opus 10: Three Piano Sonatas (1798)
    1. Piano Sonata No. 5 in C minor
    2. Piano Sonata No. 6 in F major
    3. Piano Sonata No. 7 in D major
  • Opus 13: Piano Sonata No. 8 in C minor ("Pathétique") (1798)
  • Opus 14: Two Piano Sonatas (1799)
    1. Piano Sonata No. 9 in E major (Also arranged by the composer for String Quartet in F major (Hess 34) in 1801)
    2. Piano Sonata No. 10 in G major
  • Opus 22: Piano Sonata No. 11 in B♭ major (1800)
  • Opus 26: Piano Sonata No. 12 in A♭ major (1801)
  • Opus 27: Two Piano Sonatas (1801)
    1. Piano Sonata No. 13 in E♭ major 'Sonata quasi una fantasia'
    2. Piano Sonata No. 14 in C♯ minor 'Sonata quasi una fantasia' ("Moonlight")
  • Opus 28: Piano Sonata No. 15 in D major ("Pastoral") (1801)

Middle sonatas

After he wrote his first 15 sonatas, he wrote to Wenzel Krumpholz, "From now on, I'm going to take a new path." Beethoven's sonatas from this period are very different from his earlier ones. His experimentation in modifications to the common sonata form of Haydn and Mozart became more daring, as did the depth of expression. Most Romantic period sonatas were highly influenced by those of Beethoven. After his 20th sonata, published in 1805, Beethoven ceased to publish sonatas in sets and published all his subsequent sonatas each as a single whole opus. It is unclear why he did so.

  • Opus 31: Three Piano Sonatas (1802)
  1. Piano Sonata No. 16 in G major
  2. Piano Sonata No. 17 in D minor ("Tempest")
  3. Piano Sonata No. 18 in E♭ major ("The Hunt")
  • Opus 49: Two Piano Sonatas (composed 1795–6, published 1805)
    1. Piano Sonata No. 19 in G minor
    2. Piano Sonata No. 20 in G major
  • Opus 53: Piano Sonata No. 21 in C major ("Waldstein") (1804)
    • WoO 57: Andante favori — Original middle movement of the "Waldstein" sonata (1804)
  • Opus 54: Piano Sonata No. 22 in F major (1804)
  • Opus 57: Piano Sonata No. 23 in F minor ("Appassionata") (1805)
  • Opus 78: Piano Sonata No. 24 in F♯ major ("À Thérèse") (1809)
  • Opus 79: Piano Sonata No. 25 in G major ("Cuckoo") (1809)
  • Opus 81a: Piano Sonata No. 26 in E♭ major ("Les Adieux/Das Lebewohl") (1810)
  • Opus 90: Piano Sonata No. 27 in E minor (1814)

Late sonatas

Beethoven's late sonatas were some of his most difficult works and some of today's most difficult repertoire. Yet again, his music found a new path, often incorporating fugal technique and displaying radical departure from conventional sonata form. The "Hammerklavier" was deemed to be Beethoven's most difficult sonata yet. In fact, it was considered unplayable until almost 20 years later, when Liszt played it in a concert.

  • Opus 101: Piano Sonata No. 28 in A major (1816)
  • Opus 106: Piano Sonata No. 29 in B♭ major ("Hammerklavier") (1818)
  • Opus 109: Piano Sonata No. 30 in E major (1820)
  • Opus 110: Piano Sonata No. 31 in A♭ major (1821)
  • Opus 111: Piano Sonata No. 32 in C minor (1822)

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