Requiem Canticles
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ToursExplore Lably’s 3D toursThe work is a partial setting of the Roman Catholic requiem mass, with the six vocal movements in Latin. It is from Stravinsky's serial period, but it has elements from all his stylistic periods. It was performed at Stravinsky's funeral five years after its initial premiere.
Orchestration
Requiem Canticles is scored for contralto and bass soloists, mixed chorus, and an orchestra consisting of 3 flutes (3rd doubles on piccolo), alto flute, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani (2 performers), 2 percussionists (xylophone, vibraphone, and tubular bells), harp, piano, celesta, and strings.
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Structure
The piece consists of nine short movements:
- Prelude
- "Exaudi"
- "Dies irae"
- "Tuba mirum"
- Interlude
- "Rex tremendae"
- "Lacrimosa"
- "Libera me"
- Postlude
Joseph N. Straus has discussed in detail Stravinsky's particular application of serial technique in the work, and his devising and use of a system of "rotational arrays" and "four-part arrays" in composing the work. David Smyth has noted Stravinsky's incorporation of the "B–A–C–H" (B♭–A–C–B♮) motif in the work.
Requiem Canticles is characteristic of Stravinsky's twelve-tone practice in that he preferred the inverse-retrograde (IR) to the typical retrograde-inverse (RI):