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Rosary devotions and spirituality

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Through Jesus

Use of repetitive prayer formulas goes far back in Christian history, and how these passed into the rosary tradition is not clear. It is clear that the 150 beads (Hail Marys) originated from the 150 Psalms prayed from the Hebrew Psalter. The rosary was a way for the ordinary faithful to simulate the meditation of the monks from the hand-printed Psalter. The second half of the Hail Mary, the petition to Mary, appeared for the first time in the catechism of Peter Canisius in 1555 in the Counter-Reformation period, in reaction against Protestant criticism of some Catholic beliefs.

Following the establishment of the first rosary confraternities in the fifteenth century, the devotion to the rosary spread rapidly throughout Europe. From the sixteenth century onwards, rosary recitations often involved "picture texts" that assisted meditation. Such imagery continues to be used to assist in rosary meditations.

Origins

There are differing views on the origin of the rosary, with some traditions attributing it to Dominic who integrated it into Dominican devotion, but evidence shows its existence prior to his time, and a gradual development over centuries of practice.

The practice of meditation during the praying of repeated Hail Marys goes back at least to the 1400s in Germany and the Carthusian monk Dominic of Prussia who died in 1461, just as the Dominicans Alanus de Rupe and James Sprenger had started to promote the rosary.

By the 1500s the practice of meditation during the rosary had spread across Europe. Bartolomeo Scalvo's Meditationi del Rosario della Gloriosa Maria Virgine (i.e. Meditations on the Rosary of the Glorious Virgin Mary) printed in 1569 for the rosary confraternity of Milan provided an individual meditation to accompany each bead or prayer.

Alanus de Rupe encouraged the rosary to be prayed in front of an image of Christ or the Virgin Mary. This style of meditation later resulted in meditation using narrative images, the first of which was eventually printed by Dinkmut in Ulm, Germany. The use of "image directed rosary meditation" soon gained popularity and at the end of the 16th century the most widely used rosary meditation in Germany was not a written one, but a picture text.

During the 16th century, the use of images as a form of religious instruction and indoctrination via silent preaching (muta predicatio) was promoted by Gabriele Paleotti in his "Discourse on Sacred and Profane Images." As the use of devotional images came to be seen as the "literature of the layman", Paleotti's goal of the transformation of Christian life through the use of sacred images fostered and promoted Marian devotions including the Rosary.

By the 17th century, the 15 wood cut images of the picture rosary had become very popular and rosary books began to use them across Europe. In contrast to written rosary meditations, the picture texts changed little and the same set of images appeared in woodcuts, engravings, and devotional panels for over a hundred and fifty years.

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