Shadowgraph
Optical method to reveal non-uniformity
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Through Transparency and translucency, Refraction and Shadow
In principle, a difference in temperature, a different gas, or a shock wave in the transparent air cannot be seen by the human eye or cameras. However, all these disturbances refract light rays, so they can cast shadows. The plume of hot air rising from a fire, for example, can be seen by way of its shadow cast upon a nearby surface by the uniform sunlight.
Sunlight shadowgraph
Some aquatic predators detect their transparent prey by way of their shadows cast upon the ocean floor. It was Robert Hooke who first scientifically demonstrated the sunlight shadowgraph and Jean-Paul Marat who first used it to study fire. A modern account of shadowgraphy is given by Gary S. Settles.
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Applications
Applications of shadowgraphy in science and technology are very broad. It is used in aeronautical engineering to see the flow about high-speed aircraft and missiles, as well as in combustion research, ballistics, explosions, and in the testing of glass. Ideal for identification of flow patterns.
Shadowgram (Shadowgraph)
According to F. J. Weinberg, the result of applying the shadowgraph technique should be known as a shadowgram. A shadowgram is not a focused image, rather it is a mere shadow. In the shadowgram, the differences in light intensity are proportional to the second spatial derivative (Laplacian) of the refractive index field in the transparent medium under study. Once the distance from the transparent disturbance to the cast shadow becomes too large, then the shadow no longer constitutes a useful representation of the disturbance that caused it.
Cartoons
The shadowgraph and shadowgram have been used in animation, where they reinforce the cartoon's realism. One first use was made by Disney Studios on the Three Blind Mouseketeers (1936) in the series of animated short films Silly Symphonies.
Postcards
Additionally the term Shadowgraph was used by English postcard publishers E.T.W. Dennis & Sons Ltd. of London and Scarborough for a series of 'Hold up to the Light' postcards in the 1950s. In these a saucy image can be seen through what seems an innocent picture when a light is shone through the card.