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Silent Way

Method of language teaching

  • 9 min read
  • 4 chapters

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Through Context, Trial and error and Grammar

The method emphasizes learner autonomy and active student participation. Silence is used as a tool to achieve this goal; the teacher uses a mixture of silence and gestures to focus students' attention, to elicit responses from them, and to encourage them to correct their own errors. Pronunciation is seen as important, with time spent on improving pronunciation as needed in each lesson. The Silent Way uses a structural syllabus and concentrates on teaching the uses of the functional vocabulary of the language. Translation and rote repetition are avoided, and the language is practiced in meaningful contexts. Evaluation is carried out by observation, and the teacher may never set a formal test.

One of the hallmarks of the Silent Way when used with beginners is the use of Cuisenaire rods, which can be used for anything from simple commands ("Take two red rods and give them to her.") to representing objects such as clocks and floor plans. The approach also employs a color code to help teach pronunciation; there is a sound-color chart which is used to teach the sounds of the language, colored word charts which are used for work on sentences, and colored Fidel charts which are used to teach spelling. While the Silent Way is not widely used in its original form, its ideas have been influential, especially in the teaching of pronunciation.

Background and principles

Gattegno was an outsider to language education when Teaching Foreign Languages in Schools was first published in 1963. The book conspicuously lacked the names of most prominent language educators and linguists of the time, and for the decade following its publication Gattegno's works were only rarely cited in language education books and journals. He was previously a designer of mathematics and reading programmes, and the use of color charts and colored Cuisenaire rods in the Silent Way grew directly out of this experience.

Gattegno was openly sceptical of the role that the linguistic theory of his time had in language teaching. He felt that linguistic studies "may be a specialization, [that] carry with them a narrow opening of one's sensitivity and perhaps serve very little towards the broad end in mind". The Silent Way was conceived as a special case of Gattegno's broader educational principles, which he had developed to solve general problems in learning, and which he had previously applied to the teaching of mathematics and of spelling in the mother tongue. Broadly, these principles are:

  1. Teachers should concentrate on how students learn, before considering how to teach
  2. Imitation and drill are not the primary means by which students learn
  3. Learning involves trial and error, deliberate experimentation, suspending judgement, and revising conclusions
  4. Learners can draw on everything that they already know
  5. The teacher must be careful not to interfere with the learning process

These principles situate the Silent Way in the tradition of discovery learning, that sees learning as a creative problem-solving activity guided by a teacher.

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