Sister Spit

The Independent Weekly magazine described the group as a "literary celebration of outspoken and courageous feminists". Sister Spit performed on numerous occasions at the Michigan Womyn's Music Festival, as well as on multiple tours across the United States, chiefly to LGBT audiences, including the Castro Street Fair, Pride and Ladyfest in San Francisco. They played at such locations as Boston, Cambridge, Massachusetts and Buffalo, New York.

Michelle Tea revived the tour in April 2007, calling the new incarnation Sister Spit: The Next Generation. The new group includes original Sister Spitters Eileen Myles and Ali Liebegott, as well as younger writers such as Cristy Road, Nicole Georges, and Rhiannon Argo.

For a month on the road, Sister Spit: The Next Generation traveled across the U.S. and Canada, and occasionally through Europe, performing mainly at universities and art centers. In order to reflect changes in gender identity and sexual orientation, the line-up no longer includes only women. Performers have included Nicole Georges, Cristy Road, Eileen Myles, Beth Lisick, Blake Nelson, Justin Vivian Bond and Ariel Schrag.

In 2017, the 20th Anniversary Sister Spit tour included Denise Benavides, Virgie Tovar, Maya Songbird, Celeste Chan, Cathy de la Cruz, Juliana Delgado Lopera and Joshua Jennifer Espinoza.

Sister Spit and City Lights Publishers

In 2012 Sister Spit made the long-desired leap from promoting and supporting up-and-coming queer, feminist writers to actually shepherding them into print via a collaboration with City Lights Publishers. The new imprint, City Lights/Sister Spit, began by publishing the anthology Sister Spit: Writing, Rants and Reminiscence from the Road. Subsequently, it has published works by Ali Liebegott, Beth Lisick, and others. In their 40th-anniversary issue, Ms. magazine named the anthology a "great read" of the season that honors the cultural institution that is the Sister Spit roadshow.

The mission of the City Lights/Sister Spit imprint is to publish primarily but not exclusively writings that are informed by a queer, feminist outsider perspectives. Editor Michelle Tea wishes to nurture work from people who struggle to find a place.