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Western theater of the American Civil War

American Civil War area of operations

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Through American Civil War, Mississippi and Abraham Lincoln

The western theater served as an avenue of military operations by Union armies directly into the agricultural heartland of the South via the major rivers of the region (the Mississippi, the Tennessee, and the Cumberland). The Confederacy was forced to defend an enormous area with limited resources. Most railroads ran from north to south, as opposed to east to west, making it difficult to send Confederate reinforcements and supplies to troops further from the more heavily populated and industrialized areas of the eastern Confederacy.

Union operations began in September 1861 with attempts to secure Kentucky, as more than half of the state was under Confederate control by late 1861 into 1862. Maj. Gen. Ulysses S. Grant's Army of the Tennessee had early successes in Kentucky and western Tennessee in 1861 and 1862, capturing the important strategic locations of Forts Henry and Donelson. The Army of the Tennessee and the Army of the Ohio defeated the Confederate Army of Mississippi, commanded by General Albert Sidney Johnston, at the Battle of Shiloh, driving it out of western Tennessee and subsequently marching into Mississippi and capturing Corinth. Grant's troops marched towards and captured Vicksburg in 1862–1863. Meanwhile, the Army of the Ohio experienced success, blocking a Confederate invasion of Kentucky and gaining control over large amounts of Tennessee through the Battle of Stones River and the 1863 Tullahoma Campaign while fighting against the Confederate Army of Tennessee, whose commander, Braxton Bragg, was often criticized for a perceived lack of military skill.

The Union army was briefly checked in its invasion of Georgia at the Battle of Chickamauga, and besieged at Chattanooga. Grant, now commanding the newly created Military Division of the Mississippi, took command, and received reinforcements from the Army of the Tennessee, as well as from the eastern Army of the Potomac. The siege of Chattanooga was lifted in November 1863. Following his elevation by Abraham Lincoln to General-in-Chief, Grant put Maj. Gen. William Tecumseh Sherman in charge of the combined armies. Chattanooga served as a launching pad for Sherman to capture the Confederate rail-hub of Atlanta and to march to the Atlantic, inflicting a major logistical and psychological blow to the Confederacy. After reaching the ocean, Sherman invaded the Carolinas. Operations in the western theater concluded with the surrender of Southern forces to the Union armies in North Carolina and Florida in May 1865 following General Robert E. Lee's surrender to Grant at Appomattox Court House.

The western theater typically receives less attention than the eastern theater. This has much to do with the greater proximity of action in the east to capitals and to major population centers. However, some historians consider it the war's most important theater. While the eastern theater essentially remained in stalemate until 1864, Union troops in the west, beginning in 1861, were able to steadily surround and drive back the Confederate troops, forcing them into eventual capitulation. This was done through a steady series of Union victories in major battles, interrupted by only a single defeat, which took place at Chickamauga.

Theater of operations

The western theater was an area defined by both geography and the sequence of campaigning. It originally represented the area east of the Mississippi River and west of the Appalachian Mountains. It excluded operations against the Gulf Coast and the Eastern Seaboard, but as the war progressed and William Tecumseh Sherman's Union armies moved southeast from Chattanooga, Tennessee in 1864 and 1865, the definition of the theater expanded to encompass their operations into Georgia and the Carolinas.

The West was by some measures the most important theater of the war. Capture of the Mississippi River has been one of the key tenets of Union General-in-Chief Winfield Scott's Anaconda Plan. Military historian J. F. C. Fuller has described the Union invasion as an immense turning movement, a left wheel that started in Kentucky, headed south down the Mississippi River, and then east through Tennessee, Georgia, and the Carolinas. With the exception of the Battle of Chickamauga and some daring raids by cavalry or guerrilla forces, the four years in the West marked a string of almost continuous defeats for the Confederates; or, at best, tactical draws that eventually turned out to be strategic reversals. Union generals consistently outclassed most of their Confederate opponents, with the exception of cavalry commander Nathan Bedford Forrest. As the war progressed, many Union officers in the Western Theater began to view emancipation as a practical strategy to weaken the Confederacy by depriving it of its labor force and bolstering Union troop numbers with formerly enslaved individuals. This pragmatic approach to emancipation played a significant role in Union military policy in the region. Lacking the proximity to the opposing capitals and population centers (and the accompanying concentration of newspapers) of the East, the astounding Confederate victories, and the fame of Eastern generals such as Robert E. Lee, George B. McClellan, and Stonewall Jackson, the western theater received considerably less attention than the Eastern, both at the time and in subsequent historical accounts. The near-steady progress that Union forces made in defeating Confederate armies in the West and overtaking Confederate territory went nearly unnoticed. Beyond conventional Union and Confederate battles, the Western Theater was also shaped by conflicts with Native American nations, federal efforts to control slavery in Western territories, and struggles over political allegiance in border regions.

The campaign classification established by the United States National Park Service is more fine-grained than the one used in this article. Some minor NPS campaigns have been omitted and some have been combined into larger categories. Only a few of the 117 battles the NPS classifies for this theater are described. Boxed text in the right margin show the NPS campaigns associated with each section.

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