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60 Minutes

American television news magazine program

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Through Prime time and Nielsen Media Research

The program began in 1968 as a bi-weekly television show hosted by Mike Wallace and Harry Reasoner. The two sat on opposite sides of the cream-colored set, though the set's color was later changed to black, the color still in use. The show used a large stopwatch during transition periods and highlighted its topics through chroma key—both techniques are still used. In 1972, the program began airing from 6:00 p.m. to 7:00 p.m. Eastern time, although this time was sometimes disrupted by broadcasting of NFL games on Sundays. Since then, the show has generally kept the Sunday evening format, although the start time has occasionally been shifted. The program generally starts at 7:00 p.m. Eastern. If sports programming is airing that afternoon, 60 Minutes starts at 7:30 p.m. Eastern or at the game's conclusion.

The show is hosted by correspondents who do not share screen time with each other. Full-time hosts include Lesley Stahl, L. Jon Wertheim, Bill Whitaker, Ross Douthat and Norah O'Donnell. Several spinoffs have been made, including international formats of the show.

Broadcast history

Early years

The program employed a magazine format similar to that of the Canadian program W5, which had premiered two years earlier. It pioneered many of the most important investigative journalism procedures and techniques, including re-editing interviews, hidden cameras, and "gotcha journalism" visits to the home or office of an investigative subject. Similar programs sprang up in Australia and Canada during the 1970s, as well as on local television news.

Initially, 60 Minutes aired as a bi-weekly show hosted by Mike Wallace and Harry Reasoner debuting on September 24, 1968, and alternating weeks with other CBS News productions on Tuesday evenings at 10:00 p.m. Eastern Time. The first edition, described by Reasoner in the opening as a "kind of a magazine for television," featured the following segments:

  1. A look inside the headquarters suites of presidential candidates Richard Nixon and Hubert Humphrey during their respective parties' national conventions that summer;
  2. Commentary by European writers Malcolm Muggeridge, Peter von Zahn, and Luigi Barzini Jr. on the American electoral system;
  3. A commentary by political humor columnist Art Buchwald;
  4. An interview with then-Attorney General Ramsey Clark about police brutality;
  5. "A Digression," a brief, scripted piece in which two silhouetted men (one of them Andy Rooney) discuss the presidential campaign;
  6. An abbreviated version of an Academy Award-winning short film by Saul Bass, Why Man Creates; and
  7. A meditation by Wallace and Reasoner on the relation between perception and reality. Wallace said that the show aimed to "reflect reality".

The first "magazine-cover" chroma key was a photo of two helmeted policemen (for the Clark interview segment). Wallace and Reasoner sat in chairs on opposite sides of the set, which had a cream-colored backdrop; the more famous black backdrop (which is still used as of 2020) did not appear until the following year. The logo was in Helvetica type with the word "Minutes" spelled in all lower-case letters; the logo most associated with the show (rendered in Eurostile type with "Minutes" spelled in uppercase) did not appear until about 1974. Further, to extend the magazine motif, the producers added a "Vol. xx, No. xx" to the title display on the chroma key; modeled after the volume and issue number identifications featured in print magazines, this was used until about 1971. The trademark stopwatch, however, did not appear on the inaugural broadcast; it would not debut until several episodes later. Alpo dog food was the sole sponsor of the first program.

Don Hewitt, who had been a producer of the CBS Evening News with Walter Cronkite, sought out Wallace as a stylistic contrast to Reasoner. According to one historian of the show, the idea of the format was to make the hosts the reporters, to always feature stories that were of national importance but focused upon individuals involved with, or in conflict with, those issues, and to limit the reports' airtime to around 13 minutes. However, the initial season was troubled by lack of network confidence, as the program did not garner ratings much higher than that of other CBS News documentaries. As a rule, during that era, news programming during prime time lost money; networks mainly scheduled public affairs programs in prime time in order to bolster the prestige of their news departments, and thus boost ratings for the regular evening newscasts, which were seen by far more people than documentaries and the like. 60 Minutes struggled under that stigma during its first three years.

Changes to 60 Minutes came fairly early in the program's history. When Reasoner left CBS to co-anchor ABC's evening newscast (he would return to CBS and 60 Minutes in 1978), Morley Safer joined the team in 1970, and he took over Reasoner's duties of reporting less aggressive stories. However, when Richard Nixon began targeting press access and reporting, even Safer, formerly the CBS News bureau chief in Saigon and London, began to do "hard" investigative reports, and during the 1970–71 season alone, 60 Minutes reported on cluster bombs, the South Vietnamese Army, draft dodgers, Nigeria, the Middle East, and Northern Ireland.

Effects from the Prime Time Access Rule and later years

By 1971, the Federal Communications Commission (FCC) introduced the Prime Time Access Rule, which freed local network affiliates in the top 50 markets (in practice, the entire network) to take a half-hour of prime time from the networks on Mondays through Saturdays and one full hour on Sundays. Because nearly all affiliates found production costs for the FCC's intended goal of increased public affairs programming very high and the ratings (and by association, advertising revenues) low, making it mostly unprofitable, the FCC created an exception for network-authored news and public affairs shows. After a six-month hiatus in late 1971, CBS found a prime place for 60 Minutes in a portion of that displaced time, 6:00 p.m. to 7:00 p.m. Eastern (5:00 p.m. to 6:00 p.m. Central Time) on Sundays in January 1972.

This proved somewhat less than satisfactory, however, because in order to accommodate CBS telecasts of late afternoon National Football League (NFL) games, 60 Minutes went on hiatus during the fall from 1972 to 1975 (and the summer of 1972). This took place because football telecasts were protected contractually from interruptions in the wake of the infamous "Heidi Bowl" incident on NBC in November 1968. Despite the irregular scheduling, the program's hard-hitting reports attracted a steadily growing audience, particularly during the waning days of the Vietnam War and the gripping events of the Watergate scandal; at that time, few if any other major network news shows did in-depth investigative reporting to the degree carried out by 60 Minutes. Eventually, during the summers of 1973 through 1975, CBS did allow the program back onto the prime time schedule proper, on Fridays in 1973 and Sundays the two years thereafter, as a replacement for programs aired during the regular television season.

It was only when the FCC returned an hour to the networks on Sundays (for news or family programming), which had been taken away from them four years earlier, in a 1975 amendment to the Access Rule, that CBS finally found a viable permanent timeslot for 60 Minutes. When the family-oriented drama Three for the Road ended after a 12-week run in the fall, the news magazine took its place at 7:00 p.m. Eastern Time (6:00 p.m. Central) on December 7, 1975, and has been aired at that time since then, making it not only the longest-running prime time program currently in production, but also the television program (excluding daily programs such as evening newscasts or morning news-talk shows) broadcasting for the longest length of time at a single time period each week in US television history.

This move, and the addition of then-White House correspondent Dan Rather to the reporting team, made the program into a strong ratings hit and, eventually, a general cultural phenomenon. This was no less than a stunning reversal of the historically poor ratings performances of documentary programs on network television. By 1976, 60 Minutes became the top-rated program on Sunday nights in the US. By 1979, it had achieved the #1 spot among all television programs in the Nielsen ratings, unheard of before for a news broadcast in prime time. This success translated into great profits for CBS; advertising rates increased from $17,000 per 30-second spot in 1975 to $175,000 in 1982.

The program sometimes does not start until after 7:00 p.m. Eastern, due largely to CBS Sports live sporting events. At the conclusion of an NFL game, 60 Minutes will air in its entirety and delay all subsequent programs. However, in the Pacific time zone, 60 Minutes is always able to start at its scheduled time as live sports coverage ends earlier in the afternoon. The program's success has also led CBS Sports to schedule events (such as the final round of the Masters Tournament and the PGA Championship and the second round and regional final games of the NCAA men's basketball tournament) leading into 60 Minutes and the rest of the network's primetime lineup for the night (as CBS never airs any sports programming on Sundays in primetime except for the AFC Divisional Round, AFC Championship Game, or the Super Bowl).

Starting in the 2012–2013 season, in order to accommodate a new NFL scheduling policy that the second game of a doubleheader start at 4:25 p.m., CBS changed the scheduled start time of 60 Minutes to 7:30 p.m. Eastern time (or game conclusion) for Eastern and Central Time Zone stations which are receiving a game in that window. The start time remains at 7:00 p.m. Eastern/Pacific (or game conclusion if a late single game is airing in the eastern markets) on stations which are not broadcasting a late game in a given week (or for Western time zones even if a doubleheader airs). Since the 2023–2024 season, the show began to have occasional 90-minute episodes.

Radio broadcast and Internet distribution

60 Minutes is also simulcast on several former CBS Radio flagship stations. WBBM in Chicago, KRLD in Dallas, WWJ in Detroit, KNX in Los Angeles, KYW in Philadelphia, KCBS in San Francisco (all owned by Audacy) and WBZ in Boston (owned by iHeartMedia). Anchorage-based station KFQD airs 60 Minutes as part of its affiliation with local CBS station KAUU. When it airs locally on their sister CBS Television Network affiliate, even in the Central and Eastern time zones, the show is aired at the top of the hour at 7:00 p.m./6:00 p.m. Central (barring local sports play-by-play pre-emptions and breaking news coverage) no matter how long the show is delayed on CBS Television, resulting in radio listeners often hearing the show on those stations ahead of the television broadcast. An audio version of each broadcast without advertising began to be distributed via podcast and the iTunes Store, starting with the broadcast on September 23, 2007. Video from 60 Minutes (including full episodes) is also made available for streaming several hours after the program's initial broadcast on CBSNews.com and Paramount+.

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