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Anton LaVey

American writer and Satanist (1930–1997)

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Historian of Satanism Gareth J. Medway described LaVey as a "born showman", with anthropologist Jean La Fontaine describing him as a "colourful figure of considerable personal magnetism". The academic scholars of Satanism Per Faxneld and Jesper Aagaard Petersen described LaVey as "the most iconic figure in the Satanic milieu". LaVey was labeled many things by journalists, religious detractors, and Satanists alike, including "The Father of Satanism", the "St. Paul of Satanism", "The Black Pope", and the "evilest man in the world".

Early life

LaVey was born Howard Stanton Levey on April 11, 1930 in Chicago, Illinois, to an American family with mixed European ancestry. His parents were Michael Joseph Levey (1903–1992) and Gertrude Augusta (née Coulton). He later wrote confusing and contradictory accounts of his ancestry, for instance describing his maternal grandmother as a "gypsy" from Transylvania, which was false, as she was born in Ukraine. The hagiography by LaVey's partner Blanche Barton—The Secret Life of a Satanist—describes his maternal grandmother as coming from a gypsy father and a Jewish mother from Transylvania. Barton merely interpreted LaVey's writings and did not research European birth records. Popular writer Doug Brod asserts that LaVey's ancestry was Russian-Jewish on both matrilineal and patrilineal sides. LaVey's parents, both born in the U.S., were not Jewish, and he never identified as Jewish.

His parents supported his musical interests, as he tried a number of instruments; his favorites were keyboards such as the piano and accordion. Anton played piano in a Baptist church as a boy, and played oboe in high school.

He attended Tamalpais High School in Mill Valley, California, until the age of 16. LaVey claimed he left high school at age 16 to join the Clyde Beatty Circus and later carnivals, first as a roustabout and cage boy in an act with the big cats, then as a musician playing the calliope. However, journalist Lawrence Wright investigated LaVey's background and found no evidence LaVey ever worked in a circus either as a musician or a cage boy.

In the winter of 1948, LaVey began to work as an organist in bars, lounges, and nightclubs. His "genius" on keyboards helped him attain gigs. He claimed to have had a brief affair with then-unknown Marilyn Monroe while playing organ in Los Angeles burlesque houses, stating that she was a dancer at the Mayan Theater at the time. This was challenged by those who knew Monroe then, as well as the manager of the Mayan, Paul Valentine, who said she had never been one of his dancers, nor had the theater ever been used as a burlesque house.

According to his biography, LaVey moved back to San Francisco. LaVey met Carole Lansing in 1950, and they married the following year, when Lansing was fifteen years old. Lansing gave birth to LaVey's first daughter, Karla LaVey, born in 1952. In order to avoid the Korean War draft, he studied criminology at the City College of San Francisco. LaVey then attained a job as a photographer for the San Francisco Police Department (SFPD), where he worked for three years. (Wright could find no evidence of LaVey being enrolled at the City College of San Francisco or working at this job either.) LaVey claimed to have dabbled as a psychic investigator, looking into "800 calls" referred to him by SFPD. Later biographers questioned whether LaVey ever worked with the SFPD, as there are no records substantiating the claim.

LaVey and Carole divorced in 1960, after LaVey became involved with Diane Hegarty. Hegarty and LaVey never married, but she was his companion for 24 years and mothered his second daughter, Zeena Galatea Schreck (née LaVey) (born in 1963). At the end of their relationship, Hegarty sued for palimony.

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