Aperture synthesis
Mixing signals from many telescopes to produce images with high angular resolution
- 4 min read
- 2 chapters
Related on Lably
Through Telescope, Amplitude and Binomial coefficient
Technical issues
Aperture synthesis is possible only if both the amplitude and the phase of the incoming signal are measured by each telescope. For radio frequencies, this is possible by electronics, while for optical frequencies, the electromagnetic field cannot be measured directly and correlated in software, but must be propagated by sensitive optics and interfered optically. Accurate optical delay and atmospheric wavefront aberration correction are required, a very demanding technology that became possible only in the 1990s. This is why imaging with aperture synthesis has been used successfully in radio astronomy since the 1950s and in optical/infrared astronomy only since the turn of the millennium. See astronomical interferometer for more information.
In order to produce a high quality image, a large number of different separations between different telescopes is required (the projected separation between any two telescopes as seen from the radio source is called a baseline) – as many different baselines as possible are required in order to get a good quality image. The number of baselines (nb) for an array of n telescopes is given by nb=(n2 − n)/2. (This is or nC2). For example, the Very Large Array has 27 telescopes giving 351 independent baselines at once, and can give high quality images.
In contrast to radio arrays, the largest optical arrays currently have only 6 telescopes, giving poorer image quality from the 15 baselines between the telescopes.
Most radio frequency aperture synthesis interferometers use the rotation of the Earth to increase the number of different baselines included in an observation (see diagram on right). Taking data at different times provides measurements with different telescope separations and angles without the need for additional telescopes or moving the telescopes manually, as the rotation of the Earth moves the telescopes to new baselines.
The use of Earth rotation was discussed in detail in the 1950 paper A preliminary survey of the radio stars in the Northern Hemisphere. Some instruments use artificial rotation of the interferometer array instead of Earth rotation, such as in aperture masking interferometry.
Sign in to keep reading
One more chapter is free with a Lably account.
History
The concept of aperture synthesis was first formulated in 1946 by Australian radio astronomers Ruby Payne-Scott and Joseph Pawsey. Working from Dover Heights in Sydney, Payne-Scott carried out the earliest interferometer observations in radio astronomy on 26 January 1946 using an Australian Army radar as a radio telescope.
Aperture synthesis imaging was later developed at radio wavelengths by Martin Ryle and coworkers from the Radio Astronomy Group at Cambridge University. Martin Ryle and Tony Hewish jointly received a Nobel Prize for this and other contributions to the development of radio interferometry.
The radio astronomy group in Cambridge went on to found the Mullard Radio Astronomy Observatory near Cambridge in the 1950s. During the late 1960s and early 1970s, as computers (such as the Titan) became capable of handling the computationally intensive Fourier transform inversions required, they used aperture synthesis to create a 'One-Mile' and later a '5 km' effective aperture using the One-Mile and Ryle telescopes, respectively.
The technique was subsequently further developed in very-long-baseline interferometry to obtain baselines of thousands of kilometers and even in optical telescopes. The term aperture synthesis can also refer to a type of radar system known as synthetic aperture radar, but this is technically unrelated to the radio astronomy method and developed independently.
Originally it was thought necessary to make measurements at essentially every baseline length and orientation out to some maximum: such a fully sampled Fourier transform formally contains the information exactly equivalent to the image from a conventional telescope with an aperture diameter equal to the maximum baseline, hence the name aperture synthesis.
It was rapidly discovered that in many cases, useful images could be made with a relatively sparse and irregular set of baselines, especially with the help of non-linear deconvolution algorithms such as the maximum entropy method. The alternative name synthesis imaging acknowledges the shift in emphasis from trying to synthesize the complete aperture (allowing image reconstruction by Fourier transform) to trying to synthesize the image from whatever data is available, using powerful but computationally expensive algorithms.
To avoid this computational bottleneck, telescopes such as the Deep Synoptic Array use a large number (in this case 2000) randomly distributed antennas to nearly fully sample the uv plane. This gives a point spread function that allows much simpler reconstruction, so images can be computed as the data comes off the telescope. This is referred to as a radio camera.
Note that aperture synthesis is technically and historically independent of synthetic aperture radar, which is a Doppler technique, originally developed in the early 1950s by Carl A. Wiley. The operating principles are unrelated.