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Arthur Goldreich

Jewish-South African anti-apartheid and zionist activist

  • 7 min read
  • 5 chapters

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Through Apartheid, Urban planning and Jews

As a young man, he participated in the 1948 Arab-Israeli war as a member of the Palmach, the elite military wing of the Haganah.

He later forged a successful career as a painter in South Africa and designer of department stores. He became increasingly active in the anti-apartheid struggle and in 1963 was arrested during a raid at Lilliesleaf Farm. He escaped from the Old Fort prison in Johannesburg while on remand.

He returned to live in Israel in 1964, where he spent the remainder of his life. His professional focus shifted from art towards design and urban planning and he became a prominent figure at Bezalel Academy in Jerusalem. He and his second wife, Tamar de Shalit, became prominent contributors to Israel's emerging culture of commemoration, designing monuments and memorial sites.

Early life

Goldreich was born in Johannesburg, Union of South Africa to Jewish parents with roots in Eastern Europe and England. He was raised in Pietersburg. His father worked as a furniture dealer and died when Arthur was 15 years old. As a youth, he identified with Zionism and at the age of 19 migrated to Mandatory Palestine in 1948. He lived on Kibbutz Ma'ayan Baruch in the Upper Galilee and joined the Jewish liberation struggle. He participated in the 1948 Arab-Israeli war as a member of the Palmach, the elite military wing of the Haganah.

He studied architecture at Haifa Technion in Haifa for one year, before continuing his studies at the University of the Witwatersrand in Johannesburg.

He established a successful career as a painter in South Africa, exhibiting at the Venice Biennale. In 1955, he won South Africa's Best Young Painter Award for his figures in black and white, but to the Prime Minister Hendrik Verwoerd's government, he was a key suspect in the clandestine operations of the anti-apartheid underground. He also became increasingly engaged in designing department stores in South Africa.

In 1959, he was the set designer and costume designer for King King, a musical theatre production. The production, which featured Miriam Makeba, was significant as the first production by black actors and musicians during the apartheid era.

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