Calydonian boar hunt
Defeat of a mythical boar by Olympian heroes
- 5 min read
- 3 chapters
Related on Lably
Importance in Greek mythology and art
Since the Calydonian boar hunt drew together numerous heroes—among whom were many who were venerated as progenitors of their local ruling houses among tribal groups of Hellenes into Classical times—it offered a natural subject in classical art, for it was redolent with the web of myth that gathered around its protagonists on other occasions, around their half-divine descent and their offspring. Like the quest for the Golden Fleece (Argonautica) or the Trojan War that took place the following generation, the Calydonian boar hunt is one of the nodes in which much Greek myth comes together.
Sign in to keep reading
2 more chapters are free with a Lably account.
Mythology
The Boar
The Calydonian boar is one of several monsters in Greek mythology named for a specific locale. Sent by Artemis to ravage the region of Calydon in Aetolia, it met its end in the Calydonian boar hunt, in which many of the great heroes of the age took part (an exception being Heracles, who vanquished his own Goddess-sent Erymanthian boar separately).
King Oeneus ("wine man") of Calydon, an ancient city of west-central Greece north of the Gulf of Patras, held annual harvest sacrifices to the gods on the sacred hill. One year the king forgot to include Great "Artemis of the golden throne" in his offerings. Insulted, Artemis, the "Lady of the Bow", loosed the biggest, most ferocious wild boar imaginable on the countryside of Calydon.
Ovid describes the boar as follows:
- A dreadful boar.—His burning, bloodshot eyes
- seemed coals of living fire, and his rough neck
- was knotted with stiff muscles, and thick-set
- with bristles like sharp spikes. A seething froth
- dripped on his shoulders, and his tusks
- were like the spoils of Ind [India]. Discordant roars
- reverberated from his hideous jaws;
- and lightning—belched forth from his horrid throat—
- scorched the green fields.
- — Ovid, Metamorphoses 8.284–289 (Brookes More translation)
Ovid goes on to say that the boar rampaged throughout the countryside, destroying vineyards and crops, forcing people to take refuge inside their city walls.
According to Strabo, the boar was said to be the offspring of the Crommyonian Sow vanquished by Theseus.
The Hunt
Oeneus sent messengers out to look for the best hunters in Greece, offering them the boar's pelt and tusks as a prize.
Among those who responded were some of the Argonauts, Oeneus's own son Meleager, and, remarkably for the hunt's eventual success, one woman—the huntress Atalanta, the "indomitable", who had been suckled by Artemis as a she-bear and raised as a huntress, a proxy for Artemis herself (Kerenyi; Ruck and Staples). Artemis appears to have been divided in her motives, for it was also said that she had sent the young huntress because she knew her presence would be a source of division, and so it was: many of the men, led by Kepheus and Ankaios, refused to hunt alongside a woman. It was the smitten Meleager who convinced them. Nonetheless, it was Atalanta who first succeeded in wounding the boar with an arrow, although Meleager finished it off, and offered the prize to Atalanta, who had drawn first blood. But the sons of Thestius, who considered it disgraceful that a woman should get the trophy where men were involved, took the skin from her, saying that it was properly theirs by right of birth, if Meleager chose not to accept it. Outraged by this, Meleager slew the sons of Thestius and again gave the skin to Atalanta (Bibliotheke). Meleager's mother, sister of Meleager's slain uncles, took the fatal brand from the chest where she had kept it (see Meleager) and threw it once more on the fire; as it was consumed, Meleager died on the spot, as the Fates had foretold. Thus Artemis achieved her revenge against King Oeneus.
During the hunt, Peleus accidentally killed his host, Eurytion. In the course of the hunt and its aftermath, many of the hunters turned upon one another, contesting the spoils, and so the Goddess continued to be revenged. According to Homer "the goddess brought to pass much clamour and shouting concerning his head and shaggy hide, between the Curetes and the great-souled Aetolians."
The boar's hide that was preserved in the Temple of Athena Alea at Tegea in Laconia was reputedly that of the Calydonian Boar, "rotted by age and by now altogether without bristles" by the time Pausanias saw it in the second century CE. He noted that the tusks had been taken to Rome as booty from the defeated allies of Mark Anthony by Augustus; "one of the tusks of the Calydonian boar has been broken", Pausanias reports, "the remaining one is kept in the gardens of the emperor, in a sanctuary of Dionysus, and is about half a fathom long", The Calydonian boar hunt was the theme of the temple's main pediment.
The Hunters
According to the Iliad, the heroes who participated in the hunt assembled from all over Greece. Bacchylides has Meleager describe himself and the rest of the hunters as "the best of the Hellenes".
The table lists:
- Those seen by Pausanias on the Temple of Athena Alea at Tegea, as well as another hero, Ischepolis, mentioned by Pausanias.
- Those listed by Latin mythographer Hyginus.
- Those noted in Ovid's list from the 8th Book of his Metamorphoses.
- Those listed by the mythographer Apollodorus.
Modern
In the 19th century, Algernon Charles Swinburne wrote the play Atalanta in Calydon which retells the Greek myth of the Calydonian boar hunt. The play was republished in 1901 in the book Atalanta in Calydon: and lyrical poems.

