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Heracles appears in numerous myths, which often involve the enmity of Hera, the wife of Zeus. Driven mad by Hera, Heracles killed his wife Megara and their children. Heracles performed a series of labours, conventionally numbered twelve, on the orders of his cousin Eurystheus, the king of Argos. These tasks included the killing of the Nemean lion and the Lernaean Hydra, the theft of the golden apples of the Hesperides, and the capture of Cerberus. Episodes outside the cycle of labours have him sailing with the Argonauts, sacking Troy in the generation before the Trojan War, freeing Prometheus, and serving a further term of slavery to Omphale, queen of Lydia.

Heracles married multiple times and fathered a large number of children; his descendants are called the Heracleidae. Ancient tradition also records several male lovers, including Iolaus and Hylas. According to the story of Heracles's apotheosis, his wife Deianira (who had been deceived by the dying centaur Nessus) gave him a garment smeared with poisoned blood. Unable to remove it, he immolated himself atop Mount Oeta, burning away his mortal part. He ascended to Olympus as a god, and married the goddess Hebe.

His Roman form is called Hercules; Roman emperors, such as Commodus and Maximian, often identified themselves with him. Heracles remains a frequent subject of Western art and popular culture.

Origin

Many popular stories were told of his life, the most famous being the twelve Labours of Hercules; Alexandrian poets of the Hellenistic age drew his mythology into a high poetic and tragic atmosphere. His figure, which initially drew on Near Eastern motifs such as the lion-fight, was widely known.

Heracles was the greatest of Hellenic chthonic heroes, but unlike other Greek heroes, no tomb was identified as his. Heracles was both hero and god, as Pindar says heros theos; at the same festival sacrifice was made to him, first as a hero, with a chthonic libation, and then as a god, upon an altar: thus he embodies the closest Greek approach to a "demi-god".

The core of the story of Heracles has been identified by Walter Burkert as originating in Neolithic hunter culture and traditions of shamanistic crossings into the netherworld. It is possible that the myths surrounding Heracles were based on the life of a real person or several people whose accomplishments became exaggerated with time.

Hero or god

Heracles's role as a culture hero, whose death could be a subject of mythic telling (see below), was accepted into the Olympian Pantheon during Classical times. This created an awkwardness in the encounter with Odysseus in the episode of Odyssey XI, called the Nekuia, where Odysseus encounters Heracles in Hades:

And next I caught a glimpse of powerful Heracles—
His ghost I mean: the man himself delights
in the grand feasts of the deathless gods on high ...
Around him cries of the dead rang out like cries of birds
scattering left and right in horror as on he came like night ...

Ancient critics were aware of the problem of the aside that interrupts the vivid and complete description, in which Heracles recognizes Odysseus and hails him, and some modern critics deny that the verse's beginning, in Fagles's translation His ghost I mean ..., was part of the original composition: "once people knew of Heracles's admission to Olympus, they would not tolerate his presence in the underworld", remarks Friedrich Solmsen, noting that the interpolated verses represent a compromise between conflicting representations of Heracles.

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