Cel
Transparent sheet used in animation
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Through Obsolescence and Film
Technique
Generally, the characters are drawn and painted on cels and laid over a static background painting or drawing. This reduces the number of times an image has to be redrawn and enables studios to split up the production process to different specialised teams. Using this assembly line way to animate has made it possible to produce films much more cost-effectively. The invention of the technique is generally attributed to Earl Hurd, who patented the process in 1914.
The outline of the images are drawn on the front of the cel while colors are painted on the back to eliminate brushstrokes. Traditionally, the outlines were hand-inked, but since the 1960s they are almost exclusively xerographed on. Another important breakthrough in cel animation was the development of the Animation Photo Transfer Process, first seen in The Black Cauldron, released in 1985.
Typically, an animated feature would require over 100,000 hand-painted cels.
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Collector's items
Production cels were sometimes sold after the animation process was completed. More popular shows and movies commanded higher prices for the cels, with some selling for thousands of dollars.
Some cels are not used for actual production work, but may be a "special" or "limited edition" version of the artwork, sometimes even printed ("serigraphed") instead of hand-painted. These normally do not fetch as high a price as original "under-the-camera" cels, which are true collector's items. Some unique cels have fetched record prices at art auctions. For example, a large "pan" cel depicting numerous characters from the finale of Who Framed Roger Rabbit sold for $50,600 at Sotheby's in 1989, including its original background.
Disney Stores sold production cels from The Little Mermaid (their last film to use cels) at prices from $2,500 to $3,500, without the original backgrounds. Screen printed "sericels" (serigraphic cels) from the same film were $250, with edition sizes of 2,500–5,000 pieces.

