Charles Hercules Read

Career

Read was privately educated, with no university degree before he received an honorary doctorate from the University of Edinburgh in 1908. His first museum job was as secretary to a senior curator at the South Kensington Museum, now the Victoria and Albert Museum, where he came to know Franks. Franks then used him to work on the registration of the important collection of Ice Age art, ethnography and other objects of Henry Christy, which were then kept in a flat in Victoria Street, and of which Franks was a trustee. Much of the collection ended up in the British Museum under the terms of Christy's will. In 1880 he joined the British Museum itself as Franks' assistant, marrying the same year.

As Keeper he was responsible for beginning the publication of catalogues, guides, books and booklets that brought awareness of the collections to a wider public. He employed the Oxford graduate Thomas Athol Joyce as an assistant in 1903. In his time the department of "British and Medieval Antiquities and Ethnography" still included areas that were later split off, such as ethnography and "oriental" collections beyond Egypt and the Near East, as well as others not obviously covered by its title, including Western ceramics and glass of all dates, and post-medieval European objects. At his retirement, this sprawling empire began to be divided. Read was notable for his knowledge across this vast range, rather than being a specialist in particular areas. Like Franks, he was popular with major collectors, helping to steer several significant donations to the museum, from J. Pierpont Morgan among others.

A rare excursion into archaeological excavation was his supervision of the excavation of the royal Anglo-Saxon cemetery at Highdown Hill in Sussex in the 1890s, which even by the standards of that date was not a model of best practice. One unfortunate episode was his advice to the Ashmolean Museum in Oxford to decline the loan of the Anglo-Saxon Fuller Brooch, which he wrongly believed to be a modern fake; after his day it was donated to the British Museum.