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Cherokee syllabary

Writing system invented by Sequoyah to write the Cherokee language

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History

Early history

Around 1809, impressed by the "talking leaves" of European written languages, Sequoyah began work to create a writing system for the Cherokee language. After attempting to create a character for each word, Sequoyah realized this would be too difficult and eventually created characters to represent syllables. He worked on the syllabary for twelve years before completion and dropped or modified most of the characters he originally created.

After the syllabary was completed in the early 1820s, it achieved almost instantaneous popularity and spread rapidly throughout Cherokee society. By 1825, the majority of Cherokees could read and write in their newly developed orthography.

Some of Sequoyah's most learned contemporaries immediately understood that the syllabary was a great invention. For example, when Albert Gallatin, a politician and trained linguist, saw a copy of Sequoyah's syllabary, he believed it was superior to the English alphabet in that literacy could be easily achieved for Cherokee at a time when only one-third of English-speaking people achieved the same goal. He recognized that even though the Cherokee student must learn 85 characters instead of 26 for English, the Cherokee could read immediately after learning all the symbols. The Cherokee student could accomplish in a few weeks what students of English writing might require two years to achieve.

In 1828, the order of the characters in a chart and the shapes of the characters were modified by Cherokee author and editor Elias Boudinot to adapt the syllabary to printing presses. The 86th character was dropped entirely. Following these changes, the syllabary was adopted by the Cherokee Phoenix newspaper, later Cherokee Advocate, followed by the Cherokee Messenger, a bilingual paper printed in Indian Territory in the mid-19th century.

In 1834, Samuel Worcester made changes to several characters in order to improve the readability of Cherokee text. Most notably, he inverted the do character (Ꮩ) so that it could not be confused with the go character (Ꭺ). Otherwise, the characters remained remarkably invariant until the advent of new typesetting technologies in the 20th century.

Later developments

In the 1960s, the Cherokee Phoenix Press began publishing literature in the Cherokee syllabary, including the Cherokee Singing Book. A Cherokee syllabary typewriter ball was developed for the IBM Selectric in the late 1970s. Computer fonts greatly expanded Cherokee writers' ability to publish in Cherokee. In 2010, a Cherokee keyboard cover was developed by Roy Boney, Jr. and Joseph Erb, facilitating more rapid typing in Cherokee. The keyboard cover is now used by students in the Cherokee Nation Immersion School, where all coursework is written in syllabary.

In August 2010, the Oconaluftee Institute for Cultural Arts in Cherokee, North Carolina acquired a letterpress and had the Cherokee syllabary recast to begin printing one-of-a-kind fine art books and prints in syllabary. Artists Jeff Marley and Frank Brannon completed a collaborative project on October 19, 2013, in which they printed using Cherokee syllabary type from Southwestern Community College in the print shop at New Echota. This was the first time syllabary type has been used at New Echota since 1835.

The syllabary is finding increasingly diverse usage today, from books, newspapers, and websites to the street signs of Tahlequah, Oklahoma, and Cherokee, North Carolina. An increasing corpus of children's literature is printed in Cherokee to meet the needs of students in Cherokee language immersion schools in Oklahoma and North Carolina. It featured on the 2023 USA quarter dollar commemorating Wilma Mankiller.

Possible influence on Liberian Vai syllabary

In the 1960s, evidence emerged suggesting that the Cherokee syllabary of North America provided a model for the design of the Vai syllabary in Liberia. The Vai syllabary emerged about 1832–33. This was at a time when American missionaries were working to use the Cherokee syllabary as a model for writing Liberian languages. Another link appears to have been Cherokee who emigrated to Liberia after the invention of the Cherokee syllabary (which in its early years spread rapidly among the Cherokee) but before the inventions of the Vai syllabary. One such man, Austin Curtis, married into a prominent Vai family and became an important Vai chief himself. There also appears to be a connection between an early form of written Bassa and the earlier Cherokee syllabary.

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