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Cross-cultural psychiatry

Subfield of psychiatry

  • 5 min read
  • 3 chapters

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Through Culture, Mental disorder and Ethnicity

The early literature was associated with colonialism and with observations by asylum psychiatrists or anthropologists who tended to assume the universal applicability of Western psychiatric diagnostic categories. A seminal paper by Arthur Kleinman in 1977 followed by a renewed dialogue between anthropology and psychiatry, is seen as having heralded a "new cross-cultural psychiatry". However, Kleinman later pointed out that culture often became incorporated in only superficial ways, and that for example 90% of DSM-IV categories are culture-bound to North America and Western Europe, and yet the "culture-bound syndrome" label is only applied to "exotic" conditions outside Euro-American society. Reflecting advances in medical anthropology, DSM-5 replaced the term "culture-bound syndrome" with a set of terms covering cultural concepts of distress: cultural syndromes (which may not be bound to a specific culture but circulate across cultures); cultural idioms of distress (local modes of expressing suffering that may not be syndromes); causal explanations (that attribute symptoms or suffering to specific causal factors rooted in local ontologies); and folk diagnostic categories (which may be part of ethnomedical systems and healing practices).

Definition

Cultural psychiatry looks at whether psychiatric classifications of disorders are appropriate to different cultures or ethnic groups. It often argues that psychiatric illnesses represent social constructs as well as genuine medical conditions, and as such have social uses peculiar to the social groups in which they are created and legitimized. It studies psychiatric classifications in different cultures, whether informal (e.g. category terms used in different languages) or formal (for example the World Health Organization's ICD, the American Psychiatric Association's DSM, or the Chinese Society of Psychiatry's CCMD). The field has increasingly had to address the process of globalization. It is said every city has a different culture and that the urban environment, and how people adapt or struggle to adapt to it, can play a crucial role in the onset or worsening of mental illness.

However, some scholars developing an anthropology of mental illness (Lézé, 2014) consider that attention to culture is not enough if it is decontextualized from historical events, and history in more general sense. An historical and politically informed perspective can counteract some of the risks related to promoting universalized 'global mental health' programs as well as the increasing hegemony of diagnostic categories such as PTSD (Didier Fassin and Richard Rechtman analyze this issue in their book The Empire of Trauma). Roberto Beneduce, who devoted many years to research and clinical practice in West Africa (Mali, among the Dogon) and in Italy with migrants, strongly emphasizes this shift. Inspired by the thought of Frantz Fanon, Beneduce points to forms of historical consciousness and selfhood as well as history-related suffering as central dimensions of a 'critical ethnopsychiatry' or 'critical transcultural psychiatry'.

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