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Ehrenstein illusion

Optical illusion

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Through Optical illusion and Cognitive dissonance

Ehrenstein published his book Modifications of the Brightness Phenomenon of L. Hermann to disprove Hermann's theory. He argued that these illusions were not caused by a contrast effect, but rather a brightness effect that needed to be further explored.

The effect

The Ehrenstein illusion can be classified as a brightness illusion. The borders of a shape affects the observed brightness of an image surface. These effects vary from person to person and can be further enhanced by changing the background of the configuration, or the surroundings of the image surface. The observer perceives the luminance of a surface to be brighter, despite it being identical to the background.

Illusory contour

Sometimes the "Ehrenstein" is associated with an illusory contour figure where the ends of the dark segments produce the illusion of circles or squares. The apparent circular figures at the centre of the configuration are the same colour as the background, but appear brighter. The brightness effect disappears when the line segments are joint with a circular disk. This fits under the characteristics of an optical illusion, as there are no physical origins to the asymmetrical perceptual sensations we perceive.

A similar effect of illusory contour is seen in figures such as the Kanizsa triangle.

Variations

Ehrenstein carried out variations of the original illusion to test out how the strength of perception can change. In one variation, he changed the thickness of the lines. He found that the lines could be made very thin, and the illusion would still remain. The brightness of the centre increases with the thickness of the lines. However, when the lines become so broad that the central white line was enclosed, the illusion loses its bright appearance and is no longer visible.

Paradox of shape perception

In 1954, further variations of the original Ehrenstein illusion found that the sides of a square take on an apparent curved shaped when placed inside a pattern of concentric circles. This optical illusion uses geometric factors to create an illusory contour of the shape, unlike the other configurations which use illusory brightness. Ehrenstein also found when he reduced the size of the overall figure, it enhanced the paradox and made the contour appear thicker. The shapes in the image remain constant despite small changes in the overall characteristics of the configuration. The monochrome colours of the images further enhances the illusion of the square becoming curved.

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