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Essentially contested concept

Problem in philosophy

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Essentially contested concepts involve agreed on abstract concepts or phrases, but whose usage and interpretation is disputable by others (e.g. "social justice", "This picture is a work of art"). They are abstract concepts, "proper use of which inevitably involves endless disputes about their proper uses on the part of their users", and these disputes "cannot be settled by appeal to empirical evidence, linguistic usage, or the canons of logic alone". Usually, essentially contested concepts are found in the social sciences where confusion arises due to experts using terminology inconsistently and often failing to specify the relationship between an abstract term and the meaning of that term.

For example, in historical studies, it has been observed that there are no particular standards for historical topics such as religion, art, science, democracy, and social justice, as these are by their nature "essentially contested" fields that require diverse tools particular to each field beforehand in order to interpret topics from those subjects. When scholars talk about "religion," "art," "science," "democracy," etc., there is no one definition of such terms that is generally accepted, and thus they are essentially contested by default among scholars.

Identifying the presence of a dispute

Although Gallie's term is widely used to denote imprecise use of technical terminology, it has a far more specific application; although the notion could be misleadingly and evasively used to justify "agreeing to disagree", the term offers something more valuable:

Since its introduction by W.B. Gallie in 1956, the expression "essentially contested concept" has been treated both as a challenge and as an excuse by social theorists. It has been treated as a challenge in that theorists consider their uses of terms and concepts to be in competition with the uses advocated by other theorists, each theorist trying to be deemed the champion. It has been treated as an excuse in that, rather than acknowledge that the failure to reach agreement is due to such factors as imprecision, ignorance, or belligerence, instead theorists point to the terms and concepts under dispute and insist that they are always open to contest — that they are terms and concepts about which we can never expect to reach agreement.

The disputes that attend an essentially contested concept are driven by substantive disagreements over a range of different, entirely reasonable (although perhaps mistaken) interpretations of a mutually-agreed-upon archetypical notion, such as the legal precept "treat like cases alike; and treat different cases differently", with "each party [continuing] to defend its case with what it claims to be convincing arguments, evidence and other forms of justification".

Gallie speaks of how "This picture is painted in oils" can be successfully contested if the work is actually painted in tempera; while "This picture is a work of art" may meet strong opposition due to disputes over what "work of art" denotes. He suggests three avenues whereby one might resolve such disputes:

  1. Discovering a new meaning of "work of art" to which all disputants could thenceforward agree.
  2. Convincing all the disputants to conform to one meaning.
  3. Declaring "work of art" to be a number of different concepts employing the same name.

Otherwise, the dispute probably centres on polysemy. Here, a number of critical questions must be asked:

  • Has the term been incorrectly used, as in the case of mistakenly using decimated for devastated (catachresis)?
  • Do two or more different concepts share the same word, as in the case of ear, bank, sound, corn, scale, etc. (homonymy)?
  • Is there a genuine dispute about the term's correct application that, in fact, can be resolved?
  • Or, is it really the case that the term is an essentially contested concept?

Contested versus contestable

Barry Clarke suggested that, in order to determine whether a particular dispute was a consequence of true polysemy or inadvertent homonymy, one should seek to "locate the source of the dispute"; and in doing so, one might find that the source was "within the concept itself", or "[within] some underlying non-conceptual disagreement between the contestants".

Clarke drew attention to the substantial differences between the expressions "essentially contested" and "essentially contestable", that were being extensively used within the literature as if they were interchangeable.

Clarke argued that to state that a concept is merely "contested" is to "attribute significance to the contest rather than to the concept". Yet, to state that a concept is "contestable" (rather than "merely contested") is to "attribute some part of any contest to the concept"; namely, "to claim that some feature or property of the concept makes it polysemantic, and that [from this] the concept contains some internal conflict of ideas"; and it's this state of affairs that provides the "essentially contestable concept" with its "inherent potential [for] generating disputes".

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