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Ewuare

Oba of Benin (1440–1473)

  • 22 min read
  • 7 chapters

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Through Modern era and Legend

Benin tradition attributes many military campaigns to Ewuare, through which neighbouring communities and kingdoms were brought into tributary relations with Benin. His rule is also remembered in connection with sacred kingship, royal ritual, the annual Igue festival, coral-bead regalia, and religious traditions concerning Olokun and Osanobua. Accounts of Benin art link him with carving, music, and changes in the relative standing of craft guilds. His reign overlapped with the earliest Portuguese exploration of the Benin coast and the beginning of commercial contact with Europeans, although whether Portuguese visitors reached the Benin capital during his lifetime remains uncertain. Later traditions also focus on his family history, his mourning laws, and the expansion continued by his successors. Remembered as Ewuare n'Ogidigan ('Ewuare the Great'), he remains significant in Edo oral tradition, court ceremony, and historical writing. Modern historians usually present him as an important figure in the growth of Benin's political institutions, urban form, military reach, and ritual and artistic culture, while also distinguishing between probable historical developments and later legendary material.

Background

Dynastic context

Ewuare was a fifteenth-century ruler of the Kingdom of Benin whose reign is reconstructed from oral tradition and later historical writing rather than from surviving contemporary Benin records. He came after a line of rulers that included Ohen, Egbeka, Orobiru, and Uwaifiokun. Egbeka, Ohen's eldest son, succeeded him around 1370 and is remembered in tradition for civil conflict with the Uzama Nihinron ('kingmakers') and a weak administration. Orobiru, Ohen's second son, succeeded Egbeka and is described in tradition as a peaceful and prosperous ruler. When Orobiru died, the throne reportedly remained empty for several months because Ogun, the legitimate heir in the tradition, had already been expelled from the capital, now known as Benin City, together with his younger brother Uwaifiokun. Jacob Egharevba, in A Short History of Benin, dates Ewuare's accession to around 1440; Natalie Sandomirsky in the Encyclopedia of African History gives his reign as circa 1440 to 1473. Author Heather Millar in The Kingdom of Benin in West Africa places his accession around 1440 and his death around 1481. Ewuare's reign falls just before the earliest Portuguese descriptions of Benin and according to anthropologist Robert Elwyn Bradbury, no contemporary written source directly records either his life or his acts.

Birth and parentage traditions

Ewuare was born as Ogun, a son of Ohen. Oral traditions do not agree on his mother's name; one version names her Elere, but others give names such as Eleye or Onhẹrẹn. The traditions about Ogun's birth centre on three recurring elements: Ohen's hidden relationship with a woman at Utẹ, the use of the Ekoko n'Utẹ masquerade to conceal that relationship, and the political problem created by linking the royal house with the Ogiamiẹn lineage. These stories are relevant to Ewuare because some later interpretations connect the disputed circumstances of Ogun's birth with his troubled youth, exile, and eventual accession. In one version, Ohen secretly visited a woman at Utẹ whose father was a powerful healer. After one prolonged visit, Ohen ordered masks made so that his absence from the palace could be concealed. Another version says that a diviner advised the childless Ohen to marry Elẹrẹ, daughter of the Ogi'Utẹ ('duke of Utẹ'), and that Elẹrẹ later gave birth to Ogun. A further account names Ogun's mother as Onhẹrẹn, a post-menopausal woman who conceived him after divine intervention.

The political element in these traditions concerns the Ogiamiẹn family, an autochthonous lineage contrasted in Benin oral tradition with the incoming Oba monarchy. Some versions say that a treaty prohibited marriage between the royal house and the Ogiamiẹn lineage. In one account, Ohen wished to marry Elẹrẹ, a woman at Utẹ and a descendant of Ubi, as part of an effort to resolve the dispute between the royal dynasty and the Ogiamiẹn family. Ohen crossed the Ikpoba River at night with pages, but suspicious courtiers eventually reported his movements to the Iyase. The Ehuae ('duke') of Ikpoba then placed harmful medicines beneath the bridge and at Utẹ, causing Ohen to oversleep and risk public discovery. Ohen responded by making improvised masquerade costumes for himself and Elẹrẹ, returning to the palace in disguise, arranging substitutes for the masquerade display, and bringing Elẹrẹ into the harem, where she later bore Ogun.

The Ekoko n'Utẹ masquerade continued to be linked with these birth traditions and with palace ritual. The saying Ekoko i mwẹn ihuan ọvbehe ('Ekoko has no other song') refers to the remembered improvised origin of the masquerade. Its repeated line, Ogbe uvbe rre ekpo, has been translated as "Next year, may we see you, masquerade". The masquerade was performed at Utẹ and also appeared annually at the palace, usually in connection with Otuẹ Igu'Ọba during the Igue festival period in the late twentieth century. The performance used two masqueraders, one male and one female. The male performer hid his face with strip cloth and was called Ekoko Ogiowẹrẹ; the female performer wore an antelope mask with a narrow jaw and lowered eyes, features cited in Edo praise of feminine beauty. Their costumes included feathered headpieces, red African grey parrot tail feathers, mirrored lappets, locally woven cloth, and raffia-style ankle rattles. Through its continued palace performance, the masquerade preserves a ritual memory of the union that some traditions relate to Ogun's youth and exile.

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