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Fat acceptance movement

Social movement against anti-fat bias

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Through Social movement, Law and Medicine

The modern fat acceptance movement began in the late 1960s. Besides its political role, the fat acceptance movement also constitutes a subculture which acts as a social group for its members. The fat acceptance movement has been criticized for not adding value to the debate over human health, with some critics accusing the movement of "promoting a lifestyle that can have dire health consequences".

History

The history of the fat acceptance movement can be dated back to 1967 when 500 people met in New York's Central Park to protest against anti-fat bias. Sociologist Charlotte Cooper has argued that the history of the fat activist movement is best understood in waves, similar to the feminist movement, with which she believes it is closely tied. Cooper believes that fat activists have suffered similar waves of activism followed by burnout, with activists in the following wave often unaware of the history of the movement, resulting in a lack of continuity.

Other scholars, such as Amy Erdman Farrell, have argued that the history of fat activism that traditionally gets told is a dominantly white history, and that the intersectional work of fat activists of color frequently gets overlooked within this traditional history.

Victorian Dress Reform Movement (1850s–1890s)

As part of the first wave of feminism from the 1850s-1890s, the Victorian dress reform movement aimed to put an end to the trend of women having to modify their bodies through use of corsets and tightlacing in order to fit the societal standard of tiny waistlines. A minority of women participated in this tradition of conformity, but often ended up facing ridicule whether or not they were successful at shrinking their waistline. The practice of tight-lacing proved to have many negative health risks, such as damage to their internal organs, including deformation to the ribcage and stomach atrophy due to the tight lacing. Depending on the type of corset and the lacing, the damage could be irreversible and was also extremely uncomfortable for women who partook. Women were mocked for their egotism if they were not able to shrink their waistline, and they were criticized for too small a waistline if they were successful. This instilled a feeling of defeat in women during these times, as nothing they did seemed to satisfy their male counterparts. As part of the Victorian Dress Reform Movement, women also fought for their right to dress in pants. Acceptance of all body types – regardless of waist measurements – was the major theme of the Victorian Dress Reform Movement, and this was the first movement of its kind.

First wave (1960s)

First wave activities consisted of isolated activists drawing attention to the dominant model of obesity and challenging it as only one of several possible models. This kind of political climate was the background of the fat acceptance movement, which originated in the late 1960s. Like other social movements from this period, the fat acceptance movement, initially known as "Fat Pride", "Fat Power", or "Fat Liberation", often consisted of people acting in an impromptu fashion.

In 1967, New York radio host Steve Post held a "fat-in" in Central Park. This event involved a group of people who were partaking while holding posters of a famous thin woman and setting diet books on fire. He described the purpose of the event "was to protest discrimination against the fat." This moment is often cited as the beginning of fat acceptance movement. Five months after the "fat-in", Lew Louderback composed an essay entitled "More People Should be Fat!" as a result of him witnessing the discrimination his wife experienced for her size.

The essay shed light on the discrimination fat people experience in America and the culture surrounding fat-shaming. Louderback's contribution inspired the creation of the National Association to Advance Fat Acceptance (NAAFA) in 1969 by Bill Fabrey, with the mission of ending discrimination based on body weight.

In 1967, Lew Louderback wrote an article in the Saturday Evening Post called "More People Should be FAT" in response to discrimination against his wife. The article led to a meeting between Louderback and William Fabrey, who went on to found the first organization for fat people and their supporters, originally named the 'National Association to Aid Fat Americans' and currently called the National Association to Advance Fat Acceptance (NAAFA). NAAFA was founded in America, in 1969, by Bill Fabrey in response to discrimination against his wife. He primarily intended it to campaign for fat rights, however, a reporter attending the 2001 NAAFA conference notes that few attendees were active in fat rights politics and that most women came to shop for fashion, wear it on the conference catwalk or to meet a potential partner. Since 1991, Fabrey has worked as a director with the Council on Size and Weight Discrimination, specializing in the history of the size acceptance movement.

In 1972, the feminist group The Fat Underground was formed. It began as a radical chapter of NAAFA and spun off to become independent when NAAFA expressed concerns about its promotion of a stronger activist philosophy. The FU were inspired by and, in some cases, members of the Radical Therapy Collective, a feminist group that believed that many psychological problems were caused by oppressive social institutions and practices. Founded by Sara Fishman (then Sara Aldebaran) and Judy Freespirit, the Fat Underground took issue with what they saw as a growing bias against obesity in the scientific community. They coined the saying, "a diet is a cure that doesn't work, for a disease that doesn't exist". Shortly afterward, Fishman moved to Connecticut, where, along with Karen Scott-Jones, she founded the New Haven Fat Liberation Front, an organization similar to the Fat Underground in its scope and focus. In 1983, the two groups collaborated to publish a seminal book in the field of fat activism, Shadow on a Tightrope, which collected several fat activist position papers initially distributed by the Fat Underground, as well as poems and essays from other writers.

In 1979, Carole Shaw coined the term Big Beautiful Woman (BBW) and launched a fashion and lifestyle magazine of the same name aimed at plus-sized women. The original print magazine ceased publication in May 2003, but continued in various online formats. The term "BBW" has become widely used to refer to any fat woman (sometimes in a derogatory way). Several other periodicals focusing on fashion and lifestyle for "fuller-figured" women were published in print from the early 1980s to the mid 2010s. From 1984 to 2000, Radiance: The Magazine for Large Women was published in print to "support women 'all sizes of large in living proud, full, active lives, at whatever weight, with self-love and self-respect."

In the UK, the London Fat Women's Group was formed, the first British fat activist group, and was active between approximately 1985 and 1989. Other first wave activities included the productions of zines such as Figure 8 and Fat!So? by Marilyn Wann. The latter went on to become a book of the same name.

Second wave (1990s)

The second wave of the body positivity movement prioritized providing people of all sizes a place where they could comfortably come together and exercise. There were programs being made specifically for overweight people, such as Making Waves. Home exercise programs like Genia Pauli Haddon and Linda DeMarco's home exercise video series Yoga For Round Bodies were also made for those who were not comfortable joining a wellness community. During the 1990s, dangers in dieting were found, mostly saying that it was ineffective and caused more physical and psychological problems than it solved. Dieting, especially in the context of fad diets, begun to be seen as a money-making ploy and proven to not actually work, especially in the long term.

In the second wave, the fat acceptance movement became more widespread in the US and started to spread to other countries. Ideas from the movement began to appear in the mainstream. Publishers became more willing to publish fat acceptance themed literature. The 1980s witnessed an increase in activist organizations, publications, and conferences.

In 1989, a group of people including actress Anne Zamberlan formed the first French organization for fat acceptance, Allegro fortissimo. Organizations began holding conferences and conventions, including NAAFA. By the 1990s, input from the fat acceptance movement began to be incorporated into research papers by some members of the medical professions such as new anti-dieting programs and models of obesity management.

Third wave (2010s)

The fat acceptance movement saw a diversification of projects during the third wave in the 2010s and early 2020s. Activities have addressed issues of both fat and race, class, sexuality, and other issues. Size discrimination has been increasingly addressed in the arts, as well.

The third wave arose largely as a response to the increase in social media culture and advertisements. The rise of Instagram inspired a debate about cultural beauty standards, and the body positivity movement arose as a response and argument in favor of embracing all body types, loving, and feeling confident about one's own body even with any flaws. Since 2012, there has been a heightened presence of the movement, although corporations have capitalized on the sentiments in order to sell products.

The movement challenged ideals including unblemished skin and slim "beach bodies". Model and feminist Tess Holliday founded '@EffYourBeautyStandards', which brought an outpour of support to the body positivity movement. After founding the movement, the size-26 Holliday was signed to Milk Management, a large model agency in Europe, as their first model over size 20. Instagram has been utilized as an advertising platform for the movement since. Pioneers connect with brands and advertisers to promote the movement. In 2016, Mattel released a new line of Barbie dolls under the name Fashionistas with three different body shapes, seven skin colors, twenty-two eye colors and twenty-four hairstyles to be more inclusive. Additionally, in the spring 2019 New York Fashion Week, a total of 49 models that were considered plus-size made an appearance in 12 shows. These plus-size models were also hired to be featured on fashion campaigns as well as magazine covers.

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