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Glengarry Glen Ross

1983 play written by David Mamet

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Through Tragedy, Capitalism and Morality

Glengarry Glen Ross explores themes of capitalism, morality, and masculinity. The play's title comes from the two real estate developments frequently mentioned by the characters: Glengarry Highlands and Glen Ross Farms. The former is the prime real estate that all of the agents are trying to sell, while the latter was very lucrative for those who sold it several years ago. Glengarry Glen Ross premiered at the Cottesloe Theatre, the smallest house of London's National Theatre, on September 21, 1983. The production was directed by Bill Bryden and was acclaimed as a triumph of ensemble acting.

Glengarry Glen Ross debuted on Broadway on March 25, 1984, at the John Golden Theatre, and closed on February 17, 1985, after 378 performances. Among its four nominations at the 38th Tony Awards, including Best Play and Best Director for Gregory Mosher, Joe Mantegna was named Best Featured Actor in a Play for his portrayal of the top salesman, Richard Roma. Mamet won the Pulitzer Prize for Drama that same year. A film adaptation, directed by James Foley and featuring an extended screenplay by Mamet, was released in 1992 to critical acclaim.

Since its premiere, Glengarry Glen Ross has been revived on Broadway three times, under the direction of Joe Mantello, Daniel J. Sullivan, and Patrick Marber. Mantello's production, led by Liev Schreiber as Roma, won the Tony Award for Best Revival of a Play in 2005. Sullivan and Marber's adaptations received less favourable reviews from critics.

Characters

  • Richard "Ricky" Roma: The most successful salesman in the office. He is ruthless, dishonest, and immoral, and succeeds because he has a talent for figuring out a client's weaknesses and crafting a pitch that will exploit those weaknesses. He is a smooth talker and tends to maneuver clients towards a sale by means of grand but vaguely incoherent soliloquies.
  • Shelly "The Machine" Levene: An older, once-successful salesman, who has fallen on hard times and has not closed a big deal in a long time. In Mamet's original 1983 stage version, Levene alludes to his daughter's plight in a failed attempt to gain Williamson's sympathy. The 1992 film version expands upon this, showing Levene is unable to pay for his daughter's expensive medical care, giving him an additional reason for his desperation. NOTE: Published versions of the play spell the character's name "Shelly", but the movie and the 2025 revival on Broadway spell the name "Shelley".
  • Dave Moss: A big-mouthed salesman who seeks an accomplice to help him rob the office. Moss resents Williamson and agency owners Mitch and Murray and plans to steal all their best sales leads and sell them to a competitor. During his final rant against Roma, his indignation reveals that his jealousy extends towards even his fellow salesmen.
  • George Aaronow: An aging salesman with low self-esteem who, lacking hope and confidence, is not without conscience. His frustration begins to boil up when the office is robbed, and he worries about Detective Baylen's accusations and insinuations.
  • John Williamson: The office manager. Williamson distributes the daily sales leads and tracks paperwork and is the only person in the office who interacts with the owners. The salesmen all despise him because of his loyalty to the company and his managerial power over them.
  • James Lingk: A timid, middle-aged man who becomes Roma's latest client. Lingk is easily manipulated and finds Roma highly charismatic. After consulting his wife, he becomes desperate to regain the money that Roma has convinced him to commit to a land deal.
  • Baylen: A police detective investigating the office break-in, he harshly interrogates the salesmen behind closed doors.
  • Mitch and Murray: The unsavory unseen characters who are the owners of the real estate agency. Their "sales contest" puts enormous pressure on the salesmen to produce or lose their jobs; only the top two men will receive prizes, while the rest will be fired.

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