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Guillotine

Apparatus designed for carrying out executions by beheading

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The official Luxembourg guillotine, last used in 1821, Museum of history of the city of Luxembourg.
Christian Ries · CC BY-SA 3.0

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Through Capital punishment, French Revolution and Nobility

The guillotine is best known for its use in France, particularly during the French Revolution (1789-1799), where the revolution's supporters celebrated it as the people's avenger and the revolution's opponents vilified it as the pre-eminent symbol of the violence of the Reign of Terror. While the name "guillotine" dates from this period, similar devices had been in use elsewhere in Europe over several centuries. Use of an oblique blade and the pillory-like restraint device set this type of guillotine apart from others. Display of severed heads had long been one of the most common ways European sovereigns exhibited their power to their subjects.

The design of the guillotine was intended to make capital punishment more reliable and less painful in accordance with new Enlightenment ideas of human rights. Prior to use of the guillotine, France had inflicted manual beheading and a variety of methods of execution, many of which were more gruesome and required a high level of precision and skill to carry out successfully.

After its adoption, the device remained France's standard method of judicial execution until the abolition of capital punishment in 1981. The last person to be executed by a government via guillotine was Hamida Djandoubi, a Tunisian murderer, on 10 September 1977 in France.

History

Precursors

The use of beheading machines in Europe long predates such use during the French Revolution in 1792. An early example of the principle is found in the Old French High History of the Holy Grail, dated to about 1210. Although the device is imaginary, its function is clear. The text says:

Within these three openings are the hallows set for them. And behold what I would do to them if their three heads were therein ... She setteth her hand toward the openings and draweth forth a pin that was fastened into the wall, and a cutting blade of steel droppeth down, of steel sharper than any razor, and closeth up the three openings. "Even thus will I cut off their heads when they shall set them into those three openings thinking to adore the hallows that are beyond."

Viollet-Le-Duc provided a 15th-century illustration of a device closely resembling a guillotine, with a heavy block holding a horizontally-edged blade, which slid down two grooved uprights when the executioner cut a suspending cord with a knife. The utility of the device was uncertain; Viollet-le-Duc stated the horizontal blade edge could not produce the desired effect, so the executioner was also equipped with a sword.

The Halifax Gibbet in 16th century England was a wooden structure consisting of two wooden uprights, capped by a horizontal beam, of a total height of 4.5 metres (15 ft). The blade was an axe head weighing 3.5 kg (7.7 lb), attached to the bottom of a massive wooden block that slid up and down in grooves in the uprights. This device was mounted on a large square platform 1.25 metres (4 ft) high. It is not known when the Halifax Gibbet was first used; the first recorded execution in Halifax dates from 1280, but that execution may have been by sword, axe, or gibbet. The machine remained in use until Oliver Cromwell forbade capital punishment for petty theft.

A Hans Weiditz (1495–1537) woodcut illustration from the 1532 edition of Petrarch's De remediis utriusque fortunae, or "Remedies for Both Good and Bad Fortune" shows a device similar to the Halifax Gibbet in the background being used for an execution.

Holinshed's Chronicles of 1577 included a picture of "The execution of Murcod Ballagh near Merton in Ireland in 1307" showing a similar execution machine, suggesting its early use in Ireland.

The Maiden was constructed in 1564 for the Provost and Magistrates of Edinburgh, Scotland and was in use from April 1565 to 1710. One of those executed was James Douglas, 4th Earl of Morton, in 1581, and a 1644 publication began circulating the legend that Morton himself commissioned the Maiden after he had seen the Halifax Gibbet. The Maiden was readily dismantled for storage and transport, and it is now on display in the National Museum of Scotland.

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