Himanshu Rai
Indian filmmaker (1892–1940)
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Born into an aristocratic Bengali family, Rai spent several years in Santiniketan for his schooling. After obtaining a law-degree from Kolkata, he went to London to become a barrister. There, he met a playwright and screenwriter Niranjan Pal.
That association led to the making of a film, The Light of Asia, which he co-directed with Franz Osten. Rai was also one of the main actors in this film. While making his third film, Prapancha Pash, he met and fell in love with Devika Rani, a great-grandniece of the Nobel Laureate Rabindranath Tagore. Before this film was complete, he married her.
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Bombay Talkies
At Bombay Talkies studio, Rai partnered with Sashadhar Mukherjee, and Mukherjee's brother in law Ashok Kumar, worked as a technician in the studio. Due to suspected romantic liaisons between his wife Devika Rani and the leading man, Najmul Hasan, in Jeevan Naiya, Himanshu sacked the leading man and cast the gawky and reluctant Ashok Kumar as the leading man. Kumar went on to have a successful career in films.
After Rai's death, there was a struggle for studio control. His widow Devika Rani was in conflict with Sashadhar Mukherjee. Eventually there was dual control and alternate production of films by the two camps. During this era Mukherjee produced the studio's biggest hit Kismet in 1943. Then Mukherjee broke away to form Filmistan Studio in partnership, and Devika Rani, fully in charge of the studio, did not have as much success.
In 1945, Devika Rani married Svetoslav Roerich and moved away from Bombay and films. Ashok Kumar and Mukherjee made a bid to revive Bombay talkies and produced one big hit in Mahal. Eventually, the studio shut down and is now a decrepit property in Malad.