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Hip-hop therapy

Therapy technique

  • 6 min read
  • 5 chapters

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Through Therapeutic relationship

Origins

Hip-hop therapy is rooted in the social work tradition as a strengths-based, culturally competent framework focused on fitting the model to the client. Although hip-hop has always been therapeutic for the communities that have produced it, Dr. Edgar Tyson developed the approach in attempts to systematically integrate the culture into mental health settings. In the mid-1990s, as a clinical social worker in a residential facility for homeless and justice-involved youth in Miami-Dade county, Tyson was inspired to incorporate hip-hop into individual and group therapy sessions. Upon witnessing the results, he decided to formally study the model's implementation, which would later be expounded upon in his pioneering scholarly article in 2002.

After conducting his initial study in 1997, Tyson presented his model at the 30th Annual Conference of the National Association of Black Social Workers in 1998. Tyson (1998) would also present that year at the 20th Annual Symposium for the Association for the Advancement of Social Work with Groups, which would serve as a guide for Ciardiello's (2003) implementation of HHT, where the therapeutic act of creating different aspects of the culture was introduced to the literature base. According to Tyson (2002), the most significant finding of his exploratory study was that most of the youth expressed the desire to create their own songs to share and discuss in group, which he would then go on to facilitate. Ciardiello (2003) effectively built off of this implication for further research, as have several others since.

Although Tyson's (2002) initial intervention focused primarily on hip-hop music, he emphasized that it "must be understood as one component and within the larger context of the hip-hop culture," which he referred to as the "central mechanism of HHT" (p. 134). Built within his founding model is the understanding that the music is but one artifact of a much larger culture and therefore cannot be analyzed in isolation. This is a key distinction that separates HHT from other rap music interventions, such as Elligan's (2000) Rap Therapy model. Thus, hip-hop therapy represents the prospective inclusion of each cultural facet into the therapeutic process. Hip-hop therapy is also a "source of empowerment to counteract the negative impact of hip-hop music on African American women" through their creation of lyrics or discussions around existing music. Robinson et al. has called for more research studies to be done to study the effects of hip-hop–based intervention programs for improving health literacy, health behavior, or mental health for children. Despite showing significant promise, research studies have been limited.

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