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History of the Incas

Incan civilization

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Cuadro cusqueño de artista desconocido (siglo XVII)
Cuzco School · Public domain

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Through Conquest

Over the course of the Inca Empire, the Inca used conquest and peaceful assimilation to incorporate the territory of modern-day Peru, followed by a large portion of western South America, into their empire, centered on the Andean mountain range. However, shortly after the Inca Civil War, the last Sapa Inca of the Inca Empire, Atahualpa, was captured and killed on the orders of the conquistador Francisco Pizarro, marking the beginning of Spanish rule. The remnants of the empire retreated to the remote jungles of Vilcabamba and established the small Neo-Inca State, which was conquered by the Spanish in 1572.

The Quechua name for the empire after the reforms under Pachacuti was Tawantin Suyu, which can be translated The Four Regions or The Four United Regions. Before the Quechua spelling reform it was written in Spanish as Tahuantinsuyo. Tawantin is a group of four things (tawa "four" with the suffix -ntin which names a group); suyu means "region" or "province". The empire was divided into four suyus, whose corners met at the capital, Cuzco (Qosqo)

Historical sources

Spanish chronicles

The first written traces of the Inca Empire are the chronicles recorded by various European authors (later there were mestizo and indigenous chroniclers who also compiled the history of the Incas); these authors compiled "Inca history" based on accounts collected throughout the empire. The first chroniclers had to face various difficulties in order to translate Inca history since, in addition to a language barrier, they faced the problem of interpreting a way of seeing the world totally different from the one they were used to. This led to the existence of several contradictions between the colonial texts, an example of this is presented by the chronologies of the Inca rulers; thus, in many chronicles, the same feats, facts and episodes are attributed to different rulers.

Regarding the chronicles of the Inca Empire, its authors had certain interests when writing them. In the case of the Spanish chroniclers, their interest was to legitimize the conquest through history, for this reason, in many chronicles, it is pointed out that the Incas conquered using violence entirely and therefore had no rights over the conquered territories. In another case, chroniclers linked to the Catholic Church sought to legitimize evangelization by describing the Inca religion as the work of the devil, the Incas as sons of Noah, and trying to identify the Inca deities with biblical beliefs or European folklore. Likewise, there were other mestizo and indigenous chroniclers who also had an interest in extolling the empire or one of the Panakas with which they were related, such as the case of Inca Garcilaso de la Vega, who in his work "Comentarios Reales de los Incas" showed an idealized Inca Empire where poverty didn't exist, wealth was distributed, and resources were exploited rationally.

Incan sources

The ayllus and Panakas had special songs through which they narrated their history, these songs were performed in certain ceremonies in front of the Sapa Inca. These stories, by way of collective memory, constitute the first historical records collected in the chronicles. Another resource used to record history were some cloaks and boards that contained paintings representing the stories of the Inca rulers and the biography of each of them. These objects were kept in a place called Puquincancha in Cusco, under the care of specialists in interpreting them. It is known that Viceroy Francisco de Toledo sent King Philip II four cloths illustrating the life of the Incas, adding that the native painters didn't have the same curiosity as those from Spain.

In addition, some past events were stored in the quipus, although it isn't known how these systems of cords and knots could be used to store historical events, there are several chronicles that describe that the quipus were used to evoke the feats of the rulers.

In general, in the Inca Empire there was a strong emphasis on preserving notable events and facts in the historical records. However, precision wasn't always valued, and some rulers might have intentionally excluded or distorted information that they deemed undesirable. María Rostworowski calls this quality of Inca history a "political amnesia" that was assumed by the common people but was remembered by the affected Panakas or ayllus, a factor that contributed to future contradictions in European chronicles about the Incas.

After the meeting of the Hispanic and Andean culture, writing was established as the means of transmission and recording of information. In addition, a process of "miscegenation" and syncretism began that gave rise to the reinvention of traditions and the creation of others. All these reinventions are part of a natural process in all cultures, but to understand Inca history it is necessary to differentiate which are the syncretic or invented aspects and which are not. The problem of differentiating these aspects deepens when we turn to Andean communities themselves as sources. Archaeologist Terence D'Altroy cautions that there are many writings, tales, and stories that are subject to suspicion due to having been shaped by half a millennium of Christian and Spanish cultural influences, as well as information just being lost over time.

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