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Jain literature

Texts related to the religion of Jainism

  • 19 min read
  • 9 chapters
This Jain text Yogasastra manuscript survives in an incomplete form, as its last 8 chapters. The complete version has 12 chapters and was authored by the Jain monk Hemachandra of the Svetambara tradit
Ms Sarah Welch · CC BY-SA 4.0

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Through Jainism

Jain literature is primarily divided between the canons of the Digambara and Śvētāmbara orders. These two main sects of Jainism do not always agree on which texts should be considered authoritative.

More recent Jain literature has also been written in other languages, such as Marathi, Tamil, Rajasthani, Dhundari, Marwari, Hindi, Gujarati, Kannada, Malayalam, and, more recently, in English.

Origins: The Oral Tradition (Śrutajñāna)

According to Jain tradition, the teachings that form the basis of their scriptures are eternal. It is believed that in each universal time cycle, twenty-four tīrthaṅkaras reveal these truths. The first tīrthaṅkara of the current cycle, Ṛṣabhanātha, is considered the original source of the teachings in this era, millions of years ago.

Jains believe the tīrthaṅkaras deliver their teachings in a divine preaching hall called the samavasaraṇa, which are heard simultaneously by gods, ascetics, and laypersons. This divine discourse itself is known as śrutajñāna ("heard knowledge"). Crucially, this initial form is not a written text but an oral transmission.

The tradition holds that the chief disciples (Gaṇadharas) of a tīrthaṅkara possess the unique ability to perfectly understand and recall this divine discourse. They are credited with converting the śrutajñāna into structured scriptures (suttas), initially comprising the fourteen Pūrvas (ancient or prior texts) and the eleven Aṅgas ("limbs"). The complete structure is often referred to as the "twelve-limbed basket" (duvala samgagani pidaga), as the twelfth Aṅga contained the Pūrvas.

For many centuries, these foundational scriptures were meticulously transmitted orally from teacher (guru) to disciple (shishya) through rigorous memorization and chanting. This emphasis on oral transmission was a defining characteristic of the early literary tradition.

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