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Microlith

Stone tool

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Kebaran culture microliths 22000-18000 BP
Gary Todd · CC0

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Microliths are produced from either a small blade (microblade) or a larger blade-like piece of flint by abrupt or truncated retouching, which leaves a very typical piece of waste, called a microburin. The microliths themselves are sufficiently worked so as to be distinguishable from workshop waste or accidents.

Two families of microliths are usually defined: laminar and geometric. An assemblage of microliths can be used to date an archeological site. Laminar microliths are slightly larger, and are associated with the end of the Upper Paleolithic and the beginning of the Epipaleolithic era; geometric microliths are characteristic of the Mesolithic and the Neolithic. Geometric microliths may be triangular, trapezoid or lunate. Microlith production generally declined following the introduction of agriculture (8000 BCE) but continued later in cultures with a deeply rooted hunting tradition.

Regardless of type, microliths were used to form the points of hunting weapons, such as spears and (in later periods) arrows, and other artifacts and are found throughout Africa, Asia and Europe. They were utilised with wood, bone, resin and fiber to form a composite tool or weapon, and traces of wood to which microliths were attached have been found in Sweden, Denmark and England. An average of between six and eighteen microliths may often have been used in one spear or harpoon, but only one or two in an arrow. The shift from earlier larger tools had an advantage. Often the haft of a tool was harder to produce than the point or edge: replacing dull or broken microliths with new easily portable ones was easier than making new hafts or handles.

Types

Laminar and non-geometric microliths

Laminar microliths date from at least the Gravettian culture or possibly the start of the Upper Paleolithic era, and they are found all through the Mesolithic and Neolithic eras. "Noailles" burins and micro-gravettes indicate that the production of microliths had already started in the Gravettian culture. This style of flint working flourished during the Magdalenian period and persisted in numerous Epipaleolithic traditions all around the Mediterranean basin. These microliths are slightly larger than the geometric microliths that followed and were made from the flakes of flint obtained ad hoc from a small nucleus or from a depleted nucleus of flint. They were produced either by percussion or by the application of a variable pressure (although pressure is the best option, this method of producing microliths is complicated and was not the most commonly used technique).

Truncated blade

There are three basic types of laminar microlith. The truncated blade type can be divided into a number of sub-types depending on the position of the truncation (for example, oblique, square or double) and according to its form, for example, concave or convex. "Raclette scrapers" are notable for their particular form, being blades or flakes whose edges have been sharply retouched until they are semicircular or even shapeless. Raclettes are indefinite cultural indicators, as they appear from the Upper Paleolithic through to the Neolithic.

Backed edge blades

Backed edge blades have one of the edges, generally a side one, rounded or chamfered by abrupt retouching. There are fewer types of these blades, and may be divided into those where the entire edge is rounded and those where only a part is rounded, or even straight. They are fundamental in the blade-forming processes, and from them, innumerable other types were developed. Dufour bladelets are up to three centimeters in length, finely shaped with a curved profile whose retouches are semi-abrupt and which characterize a particular phase of the Aurignacian period. Solutrean backed edge blades display pronounced and abrupt retouching, so that they are long and narrow and, although rare, characterize certain phases of the Solutrean period. Ouchtata bladelets are similar to the others, except that the retouched back is not uniform but irregular; this type of microlith characterizes certain periods of the Epipaleolithic Saharans. The Ibero-Maurusian and the Montbani bladelet, with a partial and irregular lateral retouching, is characteristic of the Italian Tardenoisian.

Micro points

These are very sharp bladelets formed by abrupt retouching. There are a huge number of regional varieties of these microliths, nearly all of which are very hard to distinguish (especially those from the western area) without knowing the archaeological context in which they appear. The following is a small selection. Omitted are the foliaceous tips (also called leafed tips), which are characterized by a covering retouch and which constitute a group apart.

  • The Châtelperrón point is not a true microlith, although it is close to the required dimensions. Its antiquity and its short, curved blade edge make it the antecedent of many laminar microliths.
  • The Micro-gravette or Gravette micro point is a microlith version of the Gravette point and is a narrow bladelet with an abrupt retouch, which gives it a characteristically sharp edge when compared to other types.
  • The Azilian point links the Magdalenian microlith points with those from the western Epipaleolithic. They can be identified by a rough and invasive retouching.
  • The Ahrensburgian point is also a peripheral paleolithic or western Epipaleolithic piece, but with a more specific morphology, as it is formed on a blade (not on a bladelet), is obliquely truncated and has a small tongue that possibly served as a haft on a spear point.

The next group contains a number of points from the Middle East characterized as cultural markers.

  • The Emireh point from the Upper Paleolithic is almost the same as one found in Châtelperrón, which is likely to be contemporary, although they are slightly shorter and also appear to be fashioned from a blade and not a bladelet.
  • The El-Wad point is from the end of the Upper Paleolithic from the same area, made from a very long, thin bladelet.
  • The El-Khiam point has been identified by the Spanish archeologist González Echegaray in Protoneolithic sites in Jordan. They are little known but easy to identify by two basal notches, doubtless used as a haft.

The Adelaide point is found in Australia. Its construction, based on truncations on a blade, has a nearly trapezoidal form. The Adelaide point emphasizes the range of variation in both time and culture of the laminar microliths; it also shows their technological differences, but sometimes morphological similarities, with geometric microliths. Laminar microliths can also sometimes be described as trapezoidal, triangular or lunate. However, they are distinct from the geometric microliths because of the strokes used in the manufacture of geometric microliths, which mainly involved the microburin technique.

Geometric microliths

Geometric microliths are a clearly defined type of stone tool, at least in their basic forms. They can be divided into trapezoid, triangular and lunate (half-moon) forms, although there are many subdivisions of each of these types. A microburin is included among the illustrations below because, although it is not a geometrical microlith (or even a tool), it is now seen as a characteristic waste product from the manufacture of these geometric microliths:

Geometric microliths, though rare, are present as trapezoids in Northwest Africa in the Iberomaurusian. They later appear in Europe in the Magdalenian initially as elongated triangles and later as trapezoids (although the microburin technique is seen from the Perigordian), they are mostly seen during the Epipaleolithic and the Neolithic. They remained in existence even into the Copper Age and Bronze Age, competing with "leafed" and then metallic arrowheads.

Microburin technique

All the currently known geometric microliths share the same fundamental characteristics – only their shapes vary. They were all made from blades or from microblades (nearly always of flint), using the microburin technique (which implies that it is not possible to conserve the remains of the heel or the conchoidal flakes from the blank). The pieces were then finished by a percussive retouching of the edges (generally leaving one side with the natural edge of the blank), giving the piece its definitive polygonal form. For example, in order to make a triangle, two adjacent notches were retouched, leaving free the third edge or base (using the terminology of Fortea). They generally have one long axis and concave or convex edges, and it is possible for them to have a gibbosity (hump) or indentations. Triangular microliths may be isosceles, scalene or equilateral. In the case of trapezoid geometric microliths, on the other hand, the notches are not retouched, leaving a portion of the natural edge between them. Trapezoids can be further subdivided into symmetrical, asymmetrical and those with concave edges. Lunate microliths have the least diversity of all and may be either semicircular or segmental.

Archeological findings and the analysis of wear marks, or use-wear analysis, has shown that, predictably, the tips of spears, harpoons and other light projectiles of varying size received the most wear. Microliths were also used from the Neolithic on arrows, although a decline in this use coincided with the appearance of bifacial or "leafed" arrowheads that became widespread in the Chalcolithic period, or Copper Age (that is, stone arrowheads were increasingly made by a different technique during this later period).

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