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Gravettian

Archaeological industry of the European Upper Paleolithic

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Through Ivory and Italy

The Gravettian culture is known for their artistic works including the famous Venus figurines, which were typically carved from either ivory or limestone. The culture was first identified at the site of La Gravette in the southwestern French department of Dordogne. While historically assumed to represent a genetically homogenous group, recent analysis of ancient DNA sequences suggests that the Gravettian was produced by multiple genetically divergent groups of hunter-gatherers. Eastern Gravettian-producing groups belong to the Věstonice cluster, while western Gravettian-producing groups belong to the Fournol cluster, both of which have genetic continuity from producers of the earlier Aurignacian. Fournol cluster-related groups are thought to be the ancestors of the producers of the following Solutrean and Magdalenian cultures present in Western Europe after the Last Glacial Maximum, while the producers of the Epigravettian are genetically distinct from Gravettian-producing groups.

Gravettian culture

The Gravettians were hunter-gatherers who lived in a bitterly cold period of European prehistory, and the Gravettian lifestyle was shaped by the climate. Pleniglacial environmental changes forced them to adapt. West and Central Europe were extremely cold during this period. Archaeologists usually describe two regional variants: the western Gravettian, known mainly from cave sites in France, Spain and Britain, and the eastern Gravettian in Central Europe and Russia. The eastern Gravettians, which include the Pavlovian culture, were specialized mammoth hunters, whose remains are usually found not in caves but in open air sites.

Gravettian culture thrived on their ability to hunt animals. They utilized a variety of tools and hunting strategies. Compared to theorized hunting techniques of Neanderthals and earlier human groups, Gravettian hunting culture appears much more mobile and complex. They lived in caves or semi-subterranean or rounded dwellings which were typically arranged in small "villages". Gravettians are thought to have been innovative in the development of tools such as blunted-back knives, tanged arrowheads and boomerangs. Other innovations include the use of woven nets and oil lamps made of stone. Blades and bladelets were used to make decorations and bone tools from animal remains.

Gravettian culture extends across a large geographic region, as far as Estremadura in Portugal, but is relatively homogeneous until about 27,000 BP. They developed burial rites, which included simple, purpose-built offerings and/or personal ornaments owned by the deceased, placed within the grave or tomb. Surviving Gravettian art includes numerous cave paintings and small, portable Venus figurines made from clay or ivory, as well as jewelry objects. The fertility deities mostly date from the early period; there are over 100 known surviving examples. They conform to a very specific physical type, with large breasts, broad hips and prominent posteriors. The statuettes tend to lack facial details, and their limbs are often broken off.

During the post glacial period, evidence of the culture begins to disappear from northern Europe but was continued in areas around the Mediterranean.

The Mal'ta Culture (c. 24,000 BP) in Siberia is often considered as belonging to the Gravettian, due to its similar characteristics, particularly its Venus figurines, but any hypothetical connection would have to be cultural and not genetic: a 2016 genomic study showed that the Mal'ta people have no genetic connections with the people of the European Gravettian culture (the Vestonice Cluster).

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