Péchés de vieillesse

• Vol I Album italiano
• Vol II Album français
• Vol III Morceaux réservés
• Vol IV Quatre hors d’œuvres et quatre mendiants
• Vol V Album pour les enfants adolescents
• Vol VI Album pour les enfants dégourdis
• Vol VII Album de chaumière
• Vol VIII Album de château
• Vol IX Album pour piano, violon, violoncello, harmonium et cor
• Vol X Miscellanée pour piano
• Vol XI Miscellanée de musique vocale
• Vol XII Quelques riens pour album
• Vol XIII Musique anodine (1857). Presented to his wife Olympe in gratitude for her care during his long intermittent illness.
• Vol XIV Altri Péchés de vieillesse

After the composer's death in 1868, his widow, Olympe Pélissier, sold the entire collection, which was then auctioned in London, in 1878. The Société anonyme de publications périodique, Paris, was among the buyers, who sold publishing rights to the firm of Heugel. The edition was prepared by Auguste Vaucorbeil (1821–1884), director of the Paris Opéra, who reordered the pieces and gave them new picturesque titles, as Rossini's often nonsensical titles, which looked forward to Erik Satie's, were deemed unsuitable.

Critical editions of all the albums are in process of publication by the Fondazione Rossini, Pesaro, which conserves the original autograph manuscripts; they are distributed by Ricordi of Milan. The new editions restore Rossini's expressively precise musical notation and offer heretofore unpublished alternative versions of some Péchés.

Arrangements

In 1918, Ottorino Respighi orchestrated a number of the piano pieces for the ballet La Boutique fantasque. In 1925, he arranged some more piano pieces, from Vol. XII (Quelques riens), as the orchestral suite Rossiniana. Benjamin Britten also used some of Rossini's themes in his orchestrally arranged suites "Soirées musicales", Op. 9, (1936) and "Matinées musicales", Op. 24 (1941).