Rec. 601
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Through Video, Color and Linear system
The Rec. 601 video raster format has been re-used in a number of later standards, including the ISO/IEC MPEG and ITU-T H.26x compressed formats, although compressed formats for consumer applications usually use chroma subsampling reduced from the 4:2:2 sampling specified in Rec. 601 to 4:2:0.
The standard has been revised several times in its history. Its seventh edition, referred to as BT.601-7, was approved in March 2011 and was formally published in October 2011.
Background and history
In the early 1980s, digital television equipment was beginning to emerge, but each manufacturer was developing their own proprietary digital versions of existing analog standards like PAL, SECAM, and NTSC.
At an ITU meeting in autumn 1981, CCIR Study Group 11 approved document 11/1027 describing the parameter values for a unified digital video format. This was adopted as Draft Rec. AA/11 "Encoding Parameters for Digital Television for Studios" by the CCIR Plenary Assembly in February 1982, later becoming ITU-R Rec. 601.
The key feature allowing a globally accepted digital standard were the use of component coding and choosing a luminance sampling frequency that was a common multiple of the line frequencies used in analog standards. This "orthogonal" sampling approach originated from Stanley Baron of NBC.
Preparation preceded the CCIR approval, including laboratory testing around the world to validate the proposed parameter values. International negotiations and efforts to build consensus were led by figures like Mark Krivosheev, Richard Green, and representatives from Japan and Europe.
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Signal format
The Rec. 601 signal can be regarded as if it is a digitally encoded analog component video signal, and thus the sampling includes data for the horizontal and vertical sync and blanking intervals. Regardless of the frame rate, the luminance sampling frequency is 13.5 MHz. The samples are uniformly quantized using 8- or 10-bit PCM codes in the YCbCr domain.
For each 8-bit luminance sample, the nominal value to represent black is 16, and the value for white is 235. Eight-bit code values from 1 through 15 provide footroom and can be used to accommodate transient signal content such as filter undershoots. Similarly, code values 236 through 254 provide headroom and can be used to accommodate transient signal content such as filter overshoots. The values 0 and 255 are used to encode the sync pulses and are forbidden within the visible picture area. The Cb and Cr samples are unsigned and use the value 128 to encode the neutral color difference value, as used when encoding a white, grey or black area.
Primary chromaticities
Slightly different primaries are specified for the 625-line (PAL and SECAM) and 525-line (NTSC SMPTE C primaries) systems. Earlier versions of the standard (prior to BT.601-6, approved in January 2007) did not contain an explicit definition of the color primaries.
Transfer characteristics
Rec. 601 defines a nonlinear transfer function which is linear near 0 and then transfers to a gamma curve for the rest of the luminance range:
Awards
The CCIR received a 1982–83 Technology and Engineering Emmy Award for its development of the Rec. 601 standard.